Du cinéma beau, passionnant et incroyable.
Three years after losing his film The Dying of Light, Paul Schrader has found a wild, unprecedented workaround to make the movie he intended all along. Literally assembled out of fragments ripped from the mangled theatrical cut, and transformed into a kind of post-modern collage.
Three years after losing his film The Dying of Light, Paul Schrader has found a wild, unprecedented workaround to make the movie he intended all along. Literally assembled out of fragments ripped from the mangled theatrical cut, and transformed into a kind of post-modern collage.