Du cinéma beau, passionnant et incroyable.
Since 1926 Alejandro Pérez Lugín filled the streets of Seville with cameras to shoot the Holy Week scenes of his Currito de la Cruz, there had been no deployment of means and mastery comparable to that for four years Juan Lebrón deployed to roll the footage from which this movie has been extracted.
Since 1926 Alejandro Pérez Lugín filled the streets of Seville with cameras to shoot the Holy Week scenes of his Currito de la Cruz, there had been no deployment of means and mastery comparable to that for four years Juan Lebrón deployed to roll the footage from which this movie has been extracted.