At a moment when certain key members of Harvard’s Sensory Ethnography Lab are going off the deep end, Colombian filmmaker Milián is showing once more why audiences were fascinated by the SEL’s output in the first place. . . . Milián’s formalism mimics the rigor of her subjects, combining the materialist precision of Liu Jiayin with the tactile, non-intrusive gaze of Bruce Baillie.
September 07, 2017