[One scene at a funeral] is sad, then hilarious, then tedious, then bizarre, then disturbing. The more you watch it, the less you know what to think. The same could be said for Li'l Quinquin itself, which starts off like it might be France's answer to Twin Peaks, then begins to feel like Robert Bresson was asked to make True Detective with the cast of Freaks. That sounds insensitive, but it's hard to pin down just exactly what Dumont wants us to think here.
Bilge Ebiri
janvier 3, 2015