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2 221 Notes

Ma nuit chez Maud

Réalisé par Éric Rohmer
France, 1969


Un ingénieur goûtant le calme d’une ville de province éprouve une très grande attirance pour une jeune femme indépendante. Dans la série des “Six contes moraux”, troisième histoire de Rohmer.

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Ma nuit chez Maud Réalisé par Éric Rohmer

Prix & Festivals

Academy Awards

1971 | Nominé : Best Writing, Story and Screenplay Based on Factual Material or Material Not Previously Published or Produced

1970 | Nominé : Best Foreign Language Film



Avis des critiques

The lengthy central scene, in which the discomfited engineer finds himself a wavering participant in a game of seduction in Maud’s apartment, is a Rohmerian tour-de-force, tracking passing thoughts and emotions with precision and using unorthodox editing rhythms to shift attention back and forth between dramatic values and a documentation of time and space.
December 14, 2016
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The fourth of the “six moral tales” directed by the oldest member of the Nouvelle Vague marks a shift in perspective and visual style from the third, La collectionneuse: filming in black and white, with a tighter script, here Rohmer not only demonstrates his natural talent for filming conversations, but also for representing them visually even when the characters aren’t speaking.
September 14, 2016
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The priest’s brief flirtation with the fetching divorcée Maud (Francoise Fabian) brings about his ultimate “moral” choice, a fascinating psychological mishmash of Catholic liturgy, Pascalian hypothesis, and Hitchcockian blonde/brunette dichotomy that’s all too often mistaken—at least in the West—for Rohmer’s own worldview.
September 13, 2016
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