Du cinéma beau, passionnant et incroyable.
Filmmakers Christian Petzold and Christoph Hochhäusler analyze a sequence of Alfred Hitchcock’s “The Wrong Man” (1956), from a series of frames. They speak framing and cutting, acting, documentary and dream, to tackle the essential question of the place of the narrator and, with him, the director.
Filmmakers Christian Petzold and Christoph Hochhäusler analyze a sequence of Alfred Hitchcock’s “The Wrong Man” (1956), from a series of frames. They speak framing and cutting, acting, documentary and dream, to tackle the essential question of the place of the narrator and, with him, the director.