Espagne, 1944. Carmen, récemment remariée, s’installe avec sa fille Ofélia chez son nouvel époux, le très autoritaire capitaine de l’armée franquiste. Alors que la jeune fille se fait difficilement à sa nouvelle vie, elle découvre près de la grande maison familiale un mystérieux labyrinthe.
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It sweeps me off my feet every time I see it. This is Del Toro's question to the world: why does life have to be so violent, cruel and inhumane? I hope Del Toro returns to this type of film in his career, otherwise I fear I have to say the best is behind him.
Pretty darn endearing, but overall dark and filled with suffering. Even though it was not what I expected, it turned out to be very interesting. I would have liked to see more of the magical world, but I understand that was not what they were going for and I'm perfectly fine with it. Great cinematography.
Guillermo del Toro somehow runs his magical The Devil's Backbone as close as possible with Pan's Labyrinth, a masterful, affecting and endlessly inventive adult fairytale. Oh how we need this del Toro back, and as soon as possible.
The people who made this put their heart and soul into it - and I think it shows ... Brilliant storytelling, dark, beautiful, traumatic and creative. There are not many CGI elements in this film, and so its real, practical creativity communicates to its audience, directly. The film does not date.
This beautiful magical realist masterpiece avoids the heavy monotony that plagues other allegories of Francoist repression, maintaining both its momentum and poignancy throughout. Raw emotions rooted in history and fanciful fantasy interweave themselves into this rich tapestry of conflict and childish innocence.
One of those films I can watch over and over again. So beautiful and tragic, one of del Toro's best in my opinion. It's visually remarkable and it has that comic-book mixed with fairy tale style; this is just an all around great movie.