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Repulsion

Roman Polanski Royaume-Uni, 1965

Nicholas Gregory's rating of the film Répulsion

Repulsed by toxic masculinity and alienated by the urban rat race (shown VIA the sister and her rich boyfriend,) Repulsion is glacial, detached, and languid. Yet, the clinical passivity increasingly sucks you into a soulless vacuum until you reach an inner void. Emotionally powerful by being coldly emotional, it gets you feeling dead inside, like Deneuve's character. I'd compare it to the music of Joy Division.