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Réalisé par Todd Haynes
Royaume-Uni, États-Unis, 1995
Drame, Film Historique


Carol White, une femme au foyer aisée et passive. Son univers douillet bascule lorsqu’elle développe une allergie à ce qui l’entoure. En proie a la dépression, elle finit dans un inquiétant centre de traitement new-age.

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Safe Réalisé par Todd Haynes

Prix & Festivals

Festival de Cannes

1995 | Directors' Fortnight

Independent Spirit Awards

1996 | 4 nominations dont : Best Feature

International Film Festival Rotterdam

1996 | Mention Spéciale : FIPRESCI Prize


It remains perhaps [Haynes’] greatest film in an oeuvre full of great films… Plot point by plot point, and even more so, banal, gendered occasion by banal, gendered occasion (from interior decorating to aerobics to a mother’s house gathering), the allegory expands and contradicts itself in surprising and illuminating ways.
November 17, 2015
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Fascinatingly allegorical in almost every sense, Safe is ultimately a modernization of the women’s film of the 40s and 50s via the lens of the hollowness of conspicuous consumption. Haynes’s rigorous compositions situate Carol within an oppressively organized frame, when in fact all she probably needs is a little chaos.
January 21, 2015
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The movie’s greatest irony may be its title. Depriving the viewer of a comfortable vantage point, “Safe” isn’t.
January 16, 2015
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Ce que vous en pensez

  • Matthew Martens's rating of the film Safe

    More than any other, Safe is the film in which Haynes' frostily meticulous eye for visual perfection achieves a trembling, terrible balance between allegorical abstraction and an empathy so deep and wide you could drown in it. Much of the credit goes to Moore, but every last element serves Haynes' vision of selves and systems choking on their own and others' fumes, desperate to get clear, to be able to breathe here.

  • Rafael Zen's rating of the film Safe

    Are you allergic to the 20th century? Oh, man... theoretically, Safe argues with some of my favorite topics: urban neurosis, the crack of perfect lives, social propaganda: but somehow I just can't love this. And, to me, Moore does not bring it to the table - it's bland barbie doll with no twist. I wish Haynes had taken it even further - pushing Carol and his subject to their limits. At the end, Safe felt safe.

  • Zac Weber's rating of the film Safe

    The allegory to the AIDS crisis is obvious, but viewed through a different lens, Carol's condition seems less like an illness and more like a very relatable suburban existence. Haynes pulls off his vision more fully in the first half of the film when the eerie soundtrack is juxtaposed with the idyllic San Fernando Valley. I really enjoyed the long shots where Carol was consumed by the gaudy home and landscaping.

  • Skinnedteen's rating of the film Safe

    The pastel-colored modernist set design and the eerie suburban bubble she's in, gives a very stepford wife vibe. The switch from that to olive green filters really shows the character's slow deterioration and paranoia without the need of jump scares. Truely a haunting quiet psychological horror film.

  • Jason's rating of the film Safe

    Hadn't seen it since it was in the theater. I was basically a kid. But it has stayed with me and, in fact, has grown in power as a condemnation of a society (within a society) that takes people who have been alerted to the fact that they are alive by the failing of their bodies (in the AIDS era) and forces them to have a self around which to make everything revolve. O, horrendous self trap.

  • ig_____or's rating of the film Safe

    I feel torn about this one. Carol White felt very dismal right from the start: the diference between when she was healthy and sick was not that big, really. While the soundtrack was nice and there were some creepy scenes (specially within the cult) and kind of a tense mood throughout, the film felt too long. It was interesting to know that this mental illness existed though, I had never even heard of it before!

  • KarstenM's rating of the film Safe

    SAFE is an incredibly intense film, with such absorbing visuality and hypnotic sonic qualities that you might find yourselves feeling sick – like Carol – after the experience. Masterful execution and vision from Todd Haynes, proving (again) what a great filmmaker he is. A tough watch, though. Hard to love.

  • Edwin N's rating of the film Safe

    It has an array of deja-vu, but that's probably because it was so influential at the time every single filmmaker have wanted to equal it in its brutal, extremely original depiction of contemporary suburban life and modern alienation. An americanized response to Antonioni's brilliant 'Il Deserto Rosso'.

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