For a better experience on MUBI, update your browser.
3.7
9 945 Notes

LE PRESTIGE

The Prestige

Réalisé par Christopher Nolan
Royaume-Uni, États-Unis, 2006
Drame, Thriller, Mystère

Synopsis

Robert Angier et Alfred Borden sont deux magiciens surdoués, promis dès leur plus jeune âge à un glorieux avenir. Une compétition amicale les oppose d’abord l’un à l’autre, mais l’émulation tourne vite à la jalousie, puis à la haine.

Ce film n'est pas disponible pour le moment sur MUBI mais 30 autres merveilles le sont. Jetez un œil à notre programmation À l'affiche
LE PRESTIGE Réalisé par Christopher Nolan

Prix & Festivals

Academy Awards

2007 | 2 nominations dont : Best Achievement in Art Direction

London Critics Circle Film Awards

2007 | Lauréat : British Supporting Actor of the Year

2007 | 3 nominations dont : British Actor of the Year

Austin Film Critics Association

2007 | Nominé : Best Film

Irish Film and Television Awards

2007 | Nominé : Best Costume Design for Film

These alter egos make sense really only in opposition to each other… It’s this same contrast that makes the film so fascinatingly self-reflexive. The grueling battle of wills between the glib parlor trickster and the grim perfectionist — each of whom resents and envies the other in equal measure — encompasses both halves of the filmmaker’s sensibility and turns The Prestige into an interestingly ambivalent directorial self-portrait.
July 17, 2017
Lire l'article
Explicitly modelled on the pattern of a magic trick, it’s also bound to the rules of the mystery thriller genre; yet the one relies on lingering uncertainty, the other on full disclosure. And in devoting so much room to hollow romantic subplots, the film ends up breaking two of the magician’s cardinal rules: not only does it tell you how it’s all done, it takes so long about it that you’ve got time to look up its sleeves and work it out for yourself.
November 08, 2006
Lire l'article
With his film’s finale note, Nolan attempts to flippantly justify an unresolved and exceptionally nonsensical plot point by telling his audience “You want to be fooled.” What he fails to realize, however, is that cinema’s most compelling trick isn’t simply superficial deception, but the ability to elicit emotional engagement in something that’s inherently artificial—a feat The Prestige, for all its razzle-dazzle duplicity, never pulls off.
October 16, 2006
Lire l'article

Ce que vous en pensez

Films associés