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1,775 रेटिंग्स


निर्देशक Spike Lee
संयुक्त राज्य अमरीका, 2018
बायोग्राफी, क्राइम, नाटक


Ron Stallworth, an African-American police officer from Colorado, successfully managed to infiltrate the local Ku Klux Klan and became the head of the local chapter.

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BlacKkKlansman निर्देशक Spike Lee

पुरस्कार और समारोह

Cannes Film Festival

2018 | विजेता: Grand Prix

2018 | खास मेंशन: Prize of the Ecumenical Jury

Academy Awards

2019 | 5 nominations including: Best Director

2019 | विजेता: Best Adapted Screenplay

Locarno International Film Festival

2018 | विजेता: Audience Award

Independent Spirit Awards

2019 | Nominee: Best Supporting Male

As so much of wide-released American film subsides into a smiling stultification, Lee remains as forthright and critical as ever; it’s appropriate that our era of living under a New York real-estate huckster gets one of its most powerful responses from an elbows-out, indefatigable Brooklynite.
January 02, 2019
पूरा लेख पढ़ें
Reclaiming cultural touchstones has been a career motif for Lee, who first crossed swords with The Birth of a Nation in his 1980 student film, but here he manages to wrest the very grammar of filmmaking from Griffith in the film’s bravura climactic montage.
January 02, 2019
Lee made the didactic BlacKkKlansman to move audiences, which he succeeds in doing despite the feeling that the film has been stitched together from everywhere.
December 17, 2018
पूरा लेख पढ़ें

लोग क्या कह रहे हैं? 

  • El Biffo's rating of the film BlacKkKlansman

    A very moving story, and this is probably Spike Lee's best in years, but without the cinematography of Ernest Dickerson, Lee doesn't have much pizzazz as a filmmaker. Or even a distinctive style; it felt like this film might have been made by anyone, and if I hadn't known that this was a Spike Lee film, I never would have guessed. 3.5*

  • mpho3's rating of the film BlacKkKlansman

    I had a hard time sitting through this but for all the wrong reasons. BKkK is well meaning and timely, but Lee's liberties are so clunky and hamfisted. It's only feted because post-racialism has been so spectacularly exposed as a crock. It's only the thematic content not the craft of this film that's impactful. The endnote inclusion of footage from Charlottesville is a powerful choice, though.

  • saitosouta's rating of the film BlacKkKlansman

    4.5 Every time I see Spike Lee's joint, I'm surprised by how raw and direct his joint is. "Blackkklansman" is the delightful example of this tendency which shake audiences in palvarizing way. The cutback between white supremarist enjoning "Birth of a Nation" and black people sharing with their heartbreaking pain is one of most impactful critiques on America's racistic sickness I've ever seen. Bombastic as fuck.

  • Lynch/Fellini's rating of the film BlacKkKlansman

    I was expecting the offensively simplistic, black & white (no pun intended) politics, since it is a Spike Lee film. What I wasn't expecting was the lack of style or anger that usually accompany Lee's films, which are usually a fault of them. But here, having gone completely in the opposite direction, it makes for a generic and bland movie. It's a shame given the solid performances by Washington, Driver, and Grace.

  • Carlos Filipe Freitas's rating of the film BlacKkKlansman

    This is tough material Spike Lee is dealing with, and yet, he makes it an easy, pleasant watch. A word of praise for the energetic performances from Washington and Driver and the awesome score by jazz trumpeter Terence Blanchard. (3.5 stars)

  • Ghostman's rating of the film BlacKkKlansman

    BlacKkKlansman is a great audience picture and a fascinating one from the legendary Spike Lee. About a black cop infiltrating the KKK, the film is engaging and entertaining. It is also refreshing to see a film make no qualms about racism and the evil that is white supremacy. In a career that's largely been focused on personal pictures, it's interesting to see Spike Lee take on a Hollywood crowdpleaser again. [cont.]

  • josé neves's rating of the film BlacKkKlansman

    Digital. Irony: who would say that in the contemporary North-American cinema would be precisely its 2 most irreducible iconoclasts that undermine the film industry, Lee and Tarantino, those who would come up with the most "classic" look on their society, playing with their paradigms and representations? This film composes, in parallelisms, some of the brighter moments of fictional film's structure of recent times.

  • msmichel's rating of the film BlacKkKlansman

    Grand Prix winner at Cannes. Lee's latest may not be as politically astute as his recent 'Chi-raq' or 'Da Sweet Blood of Jesus' and is a little heavy handed or obvious at times but still reps an achievement in today's political climate. Lee's script does achieve moments of brilliance and his directorial style is evident and impressive here. Washington good in the lead role but Driver makes the most impression.

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