The film’s driving, often soaring camera moves (Jolanta Dylewska is one of the world’s great cinematographers and here she shares credit with another Holland veteran, Rafal Paradowski) and its dark, propulsive orchestral score are scaled to the majesty of the forest and to the passion of the woman who is its steward. . . . Epic as the depiction of the natural world is, Spoor is also filled with scenes of great intimacy, some of them joyous, some of them heart-wrenching.
March 03, 2018