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3.3
285 रेटिंग्स

The French Lieutenant's Woman

निर्देशक Karel Reisz
यूनाइटेड किंगडम, 1981
नाटक, इतिहास, रोमांस

सारांश

With an ingenious script by the Nobel Prize-winning playwright Harold Pinter, British New Wave trailblazer Karel Reisz transforms John Fowles’s tale of scandalous romance into an arresting, hugely entertaining movie about cinema, in a beguiling, intellectually nimble feat of filmmaking.

यह फिल्म अभी MUBI पर नहीं चल रही है, लेकिन 30 अन्य महान फिल्में चल रही हैं। देखें क्या दिखाया जा रहा है अब दिखाया जा रहा है
The French Lieutenant's Woman निर्देशक Karel Reisz

पुरस्कार और समारोह

Academy Awards

1982 | 5 nominations including: Best Actress in a Leading Role

BAFTA Awards

1982 | 3 wins including: Anthony Asquith Award for Film Music

1982 | 8 nominations including: Best Actor

César Awards

1983 | Nominee: Best Foreign Film

Golden Globes (USA)

1982 | विजेता: Best Actress in a Motion Picture - Drama

1982 | 2 nominations including: Best Motion Picture - Drama

While the modern story proved a tougher nut to crack, the film’s Victorian half stands up very well. If its twin themes of romantic obsession and social hypocrisy scarcely make for especially novel observations, they’re staged and performed with admirable conviction – indeed, the cutaways to the American actress ‘playing’ the troubled Sarah Woodruff serve to emphasise the technical achievement of Streep’s performance (the first that highlighted her uncanny ear for foreign accents).
October 02, 2015
[The book is] a tour de force but posed a uniquely difficult task for the filmmaker. Pinter’s screenplay is a masterful achievement in that it not only offers a sense of alternative and layered storytelling but also provides a unified focus for the thrust of the film’s experience, which is different from the novel’s more detached and scholarly appeal.
August 12, 2015
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[It’s] an exceedingly clever idea. Trouble is, Pinter never really figures out what to do with it, beyond its broad conception. For one thing, the two parts of the diptych are unbalanced: Until the last few minutes, Anna and Mike’s scenes are both infrequent and brief, making up only perhaps 15 percent of the film’s total running time. Nor does Pinter, despite being one of the 20th century’s greatest playwrights, succeed in making the contemporary characters more than cardboard ciphers.
August 12, 2015
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