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3.5
251 रेटिंग्स

We Can't Go Home Again

निर्देशक Nicholas Ray
संयुक्त राज्य अमरीका, 1973
एवोन-गार्ड, नाटक

सारांश

We Can’t Go Home Again embodies Ray’s last explorations in the medium that he called “the cathedral of the arts.” Along with its technical innovations, the film explores the face of a community at a critical moment in our cultural history and offers a searing portrait of the filmmaker’s soul.

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We Can't Go Home Again निर्देशक Nicholas Ray

समीक्षक के रिव्यू

You think you know it all just because you’ve made movies and you’re old? Huh?" If We Can’t Go Home Again is Ray’s response, then the answer is a resounding “I don’t know.” Ray develops possibly the most beguiling of images attributed to a (former) Hollywood director, crossing fully into the avant-garde with this quintessential work of community filmmaking (made in collaboration with and depicting the students of his class at Harpur College).
April 20, 2016
पूरा लेख पढ़ें
…When Ray surfaced again [after being pushed out of Hollywood], in 1971, he worked with his students [at Harpur College] on a movie, “We Can’t Go Home Again,” that differed radically from his earlier films. Since he wasn’t in Hollywood and wasn’t working with a cast or crew from the studios, he didn’t work as directors do there. Rather, he developed an advanced and complex cinematic form to match his personal situation and the troubled times.
March 17, 2014
पूरा लेख पढ़ें
Ray was channelling this content from the outside, but he was also projecting it from the inside: the film presents an agonised, often self-lacerating exercise in autobiography (something he would continue, in another register, with Wim Wenders on the Lightning Over Water 1980 project).
January 01, 2014
पूरा लेख पढ़ें

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