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देखने के लिए 12 दिन
डेब्यू
3.5
312 रेटिंग्स

Drift

निर्देशक Helena Wittmann
जर्मनी, 2017
नाटक
  • जर्मन
  • अंग्रेज़ी, इटालियन, तुर्किश, बास्क, स्पेनिश, स्वीडिश
डेब्यू

सारांश

दो महिला उत्तरी सागर में एक सप्ताहांत बिताती है। उनमें से एक जल्द ही घर लौट आएगी, जबकि दूसरी महिला सागर के करीब आने की कोशिश करेगी। फिल्म, फिर यात्री के उसके सफर में साइकिल, कार, पैदल और नाव से, शानदार परिदृश्य के माध्यम से और पानी के अंतहीन निकायों के माध्यम से यात्रा करती है।

हमारा अभिप्राय

बर्लिन स्कूल की एक छात्रा ऑटर एंजेला स्केनलेक, हेलेना विटमैन हमें ड्रिफ्ट के साथ एक अतिउत्तम यात्रा पर ले जाती है: हम इंटीरियर से लेकर समुद्री तीव्रता तक सब देखते है क्योंकि इसका एक पात्र अटलांटिक की यात्रा करता है। प्रभावशाली डेब्यू के हमारे छोर को प्रारंभ करने के लिए एक लौकिक और सम्मोहक साहस।

Drift निर्देशक Helena Wittmann अभी देखें
अभी देखें 12 दिन बाकी

समीक्षक के रिव्यू

For more than half an hour, DRIFT consists of nothing but images of the ocean, rolling and roiling under a wide range of light . . . and shaped by the growing insistence of Nika Breithaupt’s score and sound design. The film returns to shore through one of the more astonishing transitions in recent memory, and concludes shortly after in a shot which confirms both Wittmann’s emotional acuity and formal rigor
May 22, 2018
पूरा लेख पढ़ें

लोग क्या कह रहे हैं? 



  • pfrolph's rating of the film Drift

    Fine piece of visual poetry. Sensual soundscape and images rigorously managed.

  • Juan Soto's rating of the film Drift

    A beautiful meditation on time passing, undefined borders and friendship. And yet, a precious time for yourself.

  • josé neves's rating of the film Drift

    Kino # 6. Will an experience of film visions necessarily have repercussions on how they are made? And, obviously, seen? As for this Wittmann film, the answer can only be positive, from my point of view as a spectator, otherwise i would not be so close to Dominique Gonzalez-Foerster's "Plages" in the immersive/immense hypnosis in/at the sea and Snow's "Wavelength "at the beautiful end. An unexpected essay.

  • Jerrell Hobor's rating of the film Drift

    Drift is a decent movie showing a film that unmasks a mystery of a young girl that finds here self on a journey across the Atlantic. The movie is a slow build up which actually makes the movie good because you get a good idea of all the characters in the film before the story takes place. now this movie could've been articulated a little better but for the most part the movie was well done i would recommend it.

  • gio's rating of the film Drift

    "Il mare è un nastro viola che si arrotola e si srotola senza fine. È alternanza di lame di luce e non meditazione né raccoglimento ma accoglimento. Si può variare questo sguardo, che oltrepassa la visione distinta. Prima mare, strisce viola; poi lame, poi righe di luce. A occhi chiusi, fuochi fatui. Riconoscere la necessità, non soltanto l'esistenza, di queste diverse visioni."

  • Korial's rating of the film Drift

    A whispered thesis about the aesthetics of Man's relation to Nature. A bit naive in its reducing the third term - Society - to a dyad and in its suspending any Man-Nature dialectic (which, say, Piavoli's The Blue Planet does not). Extra-mondane contemplation is sure evocative but calls for something more than the solution of mankind in the (concept of) blue vastness. Or the Sea is just a symbol of distance/longing?

  • Quattro's rating of the film Drift

    What I call ambient cinema. Mesmerizing editing and sound design–I wouldn't have used any other soundtrack than the ocean itself. Beautiful credits. The urban shots were less inspired and dragged on a bit too much. Maybe a less hermetic plot and characters would've been better, because trying to figure out what was going on was quite distracting. Worth a watch if you're in the mood. I can still feel the boat rolling.

  • Ted Eames's rating of the film Drift

    As a fan of 'slow cinema' I enjoyed this meditative film very much. It's seascapes are very like the still photography of Beka Globe. I did wonder if some of the early lingering sequences were too long and too mundane, but this is a film that grows and blossoms bit by bit. It will be interesting to see what Helena Wittman does next.

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