The film’s kinetic impact can be shattering. . . . This kind of film is too often called “bold” and “unflinching.” It’s true that in and out of the ring, Sauvaire’s camera registers every blow that lands on Moore’s head, limbs, back, and gut. His moviemaking aims to be “in your face,” but it rarely penetrates to your heart and mind.
Michael Sragow
August 9, 2018