As narrative, Bullet to the Head is amateurish. Villains awkwardly explain their plans for the benefit of the audience. Characterization is non-existent. Scenes are bridged by lame iMovie-style filter effects. Poorly Photoshopped stills are used to illustrate “backstory.” The movie clunks along with no sense of dramatic tension or scope. And yet in terms of how it handles light, movement, texture, and space, it’s clearly the work of a master.
February 05, 2013