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3.2
118 Rating

Non-Fiction

Doubles vies

Disutradarai oleh Olivier Assayas
Prancis, 2018
Komedi, Drama

Sinopsis

A Parisian publisher (Guillaume Canet) and his successful-actor wife (Juliette Binoche) adapt to the new-media landscape.

Non-Fiction Disutradarai oleh Olivier Assayas
In Non-Fiction, he generates plenty of atmosphere, but it’s suffocating. This would-be truth-telling movie lives up—or down—to his title: In scene after scene, it cultivates a realism that’s convincing without revealing very much at all.
May 10, 2019
Baca selengkapnya
Though the questions Assayas poses are engaging enough, his execution has so light a touch here that the substance simply floats away.
December 20, 2018
Baca selengkapnya
As so often in Assayas’s work the kernel of authenticity that remains is the constancy of the passing of time, and the way we blindly yield to our private emotions even as they are fluid, malleable, transitory.
December 20, 2018
Baca selengkapnya

Apa kata orang-orang?

  • Lynch/Fellini's rating of the film Non-Fiction

    Assayas is bourgeois (something one enters his films knowing) and I think while this film makes that more apparent than some of his other films, it is still a very strong, if flawed, character piece with some interesting editing choices that give the sensation of whiplash and un-comfortableness.

  • HenriqueA's rating of the film Non-Fiction

    This is Assayas at his late-stage-Alain-Resnais-stage (which is not at all a compliment), making a lot of conversation, very little intrigue and absolutely no action. So what is left for us to feast on? Some delightful casting and a very interesting script.

  • Filipe F. Coutinho's rating of the film Non-Fiction

    An amusing, if somewhat tone-deaf film. There are several ideologies and musings at play, but never a compelling through line to thematically stringing them together. Most problematically, Assayas isn’t offering a unique POV. His ideas about the publishing world and printing have been deconstructed to exhaustion. Non-Fiction feels like Woody Allen-lite with a french twist.

  • Dada Kubin's rating of the film Non-Fiction

    Assayas continues examining the borders of fiction and real life. This time it’s art imitating life, or perhaps: art abducting life. There’s lots of talk about autofiction, the role of literature, publishing industry, digitalisation. Much talk in general, and drinking wine. Revenge is mentioned yet never carried out during the film (later perhaps yes). It’s the very, very discreet charm of the literary bourgeoisie.

  • Not A Sexy Vampire's rating of the film Non-Fiction

    Noticeable step down for Assayas after the one-two punch of Sils Maria/Personal Shopper. The characters are cyphers, representing viewpoints on a variety of complex topics such as political honesty, the rise of new media, e-books vs print, writing ethics. These are rich, heady debates even if it is more panel than drama. To liven up matters, most of the characters are having affairs because this is a French comedy.

  • Lisa's rating of the film Non-Fiction

    ça parle beaucoup (de livre numérique - on ne comprend pas la moitié de ce qui est dit), dans des salons bourgoies ou maisons de vacances perchées sur des falaises... ennui total. on sent quelques intentions de faire rire, mais ça ne marche pas.

  • Elise Stambul's rating of the film Non-Fiction

    Alors peut-être que je suis passée à coté de quelque chose ou que je n'ai aucun second degré mais je ne m'attendais pas à autant de snobisme au cinéma. Ce film "réaliste - bobo parisiens" s'affirme dans un discours d'élitisme culturel assuré qui, personnellement, m'a mise en colère. Mais bon, peut être dois-je envisagé un second visionnage pour mieux comprendre les intentions du réalisateur ???

  • Pipim's rating of the film Non-Fiction

    Il veut faire du second degrés, mais ça passe vraiment difficilement. C'est tellement bavard qu'on dirait que c'est un exposé, plus qu'un essai ou une satire. Le film reste trop théorique. La réflexion sur l'auto-fiction est chiante et pas très intéressante. Norah Hamzayi est d'une sincérité très très troublante !

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