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3.1
1.056 Rating

Goodnight Mommy

Ich seh, Ich seh

Disutradarai oleh Veronika Franz, Severin Fiala
Austria, 2014
Horor, Drama

Sinopsis

In this atmospheric, nerve-straining chiller, two young twins confined to an isolated country house transform their resentment towards their mother into a fatal illusion about her identity.

Film ini tidak sedang tayang di MUBI, tetapi ada 30 film bagus lainnya.
Goodnight Mommy Disutradarai oleh Veronika Franz, Severin Fiala
While the central mystery keeps the viewer tightly locked into the drama, you’re never entirely convinced that this is a clear-cut case of evil mother versus angelic kids. It’s a belting horror film to kick off 2016, and it’s one whose imaginative scenes of extreme violence are absolutely not for the squeamish.
March 04, 2016
Baca selengkapnya
Have you been feeling a little too clean lately? Then why not take a dip in the pseudointellectual cesspool that is Goodnight Mommy? This utterly unimaginative horror yarn gussies up its (mostly facial) torture porn with brief allusions to Austria’s Nazi past.
January 11, 2016
Baca selengkapnya
Goodnight Mommy is a film filled with ellipses, with pointed silences – and it works better when we read into those silences… [It’s] a very disquieting, very suspenseful film, but proceed with caution.
November 23, 2015
Baca selengkapnya

Apa kata orang-orang?

  • El Biffo's rating of the film Goodnight Mommy

    SFIFF '15 I'm getting pretty sick of horror films that are disguised as dramas. I suppose they want to sell tickets to more than just horror fans, but I don't like being tricked into seeing a horror film. SFFS invoked producer Ulrich Seidl as an "influence" and called it a "genre" film. I guess now I know that "genre" means "horror". I really like Seidl's neo-documentary dramas, I hope he isn't going into horror now.

  • Stefan Drees's rating of the film Goodnight Mommy

    One of the most interesting features of the film besides the cinematography is the sensibility for different spaces in and outside the house and their individual sounds. A bit disappointing is that Olga Neuwirth's gripping electronic score (which enriched the film and established an alternative level of narration) was partially remixed, partially deleted by the directors during the process of post-production.

  • Ana Sousa's rating of the film Goodnight Mommy

    The progression of violence, the bond between two brothers turning into something appalling while growing fonder into complicity. It reminded me a lot of The Uninvited (2009). It's brilliant. And SO not what you expect it to be.

  • Palmat's rating of the film Goodnight Mommy

    This was my kind of movie! While it moves quite slow and some scenes might not make a whole lot of sense the first time around I was completely won over the glacial and austere direction and the unnerving mood. Sometimes a movie is more about mood than story and this is such a movie. It also shares some DNA with other movies I like such as Dogtooth, Hotel, Borgman and early Haneke. Basically a shoe-in for me!

  • HKFanatic's rating of the film Goodnight Mommy

    There's nothing remarkable about "Goodnight Mommy's" narrative. And yet the filmmakers have created a psychological horror film that is rich with subtext and atmosphere. Visually, the duo combine the sterile quality of Michael Haneke with Gus Van Sant's eye for young people. The most startling moments of this film feel lifted right from the black pool of our subconscious, which is precisely what the best horror does.

  • Jason's rating of the film Goodnight Mommy

    I like nasty. I like endearingly perverse. I liked Goodnight Mommy when t'was parceling this stuff out in a way that I found to operate in a realm not entirely divorced from credibility (although it never actually does quite occupy such a realm). There are things in here which touch on real, felt experience. There is, alas, a twist. It essentially bankrupts the whole enterprise, though traction was already lost.

  • Nicholas Gregory's rating of the film Goodnight Mommy

    Goodnight Mommy is all about it's ending. Yet, anyone who pays attention and knows their genre cliches-- not to mention that has seen 1972's The Other-- won't be satisfied, as the film is much too obvious about where it's going. With that said, the twist is also unneeded, as it doesn't really add depth or dimension to the character. While the torture may be mildly disturbing, the rest is dry and repetitive.

  • msmichel's rating of the film Goodnight Mommy

    Those expecting a straight horror film that follows genre conventions would do well to look elsewhere for the waters run a touch deeper here. Producer Ulrich Seidl and directors Fiala and Franz instead give us a film about the fragility of familial structure when the norms of relationships are tested by trauma and psychosis. Eerie and suspenseful at times with a third act twist that works even if it feels engineered.

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