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8.9
/10
3.127 Rating

Jeanne Dielman, 23, Quai du Commerce, 1080 Bruxelles

Disutradarai oleh Chantal Akerman
Belgia, Prancis, 1975
Avant-Garde, Drama

Sinopsis

Whether seen as an exacting character portrait or one of cinema’s most hypnotic and complete depictions of space and time, Jeanne Dielman is an astonishing, compelling movie experiment, one that has been analyzed and argued over for decades.

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Jeanne Dielman, 23, Quai du Commerce, 1080 Bruxelles Disutradarai oleh Chantal Akerman
The repetitiveness becomes a part of the violence. As you see her do these daily tasks over and over again, you feel her need for survival and the toll of being a mother, and that frustration is all part of watching the movie.
September 04, 2020
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All this is underscored by the shots’ long duration that stress repetition, purposefully bordering on tediousness. . . . Even more remarkable in their blunt commonplace setting are the dinner scenes, in which Jeanne sets the table, serves, and eats mostly in silence with her young son—the single substitute for love in the entire film—while being virtually unnoticed by him.
August 01, 2018
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Akerman and Mangolte evolved the notion of the value of images most closely associated with womanhood at the time, like folding clothes, making the bed, and preparing dinner. The film establishes a tone of rhythmic stasis, letting the camera sit idly in static compositions that force the viewer to feel the passage of time and pick up on intricate details of feminine routine.
July 27, 2018
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