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4.973 Rating

Nights of Cabiria

Le notti di Cabiria

Disutradarai oleh Federico Fellini
Italia, Prancis, 1957


Rome, 1957. A woman, Cabiria, is robbed and left to drown by her boyfriend, Giorgio. Rescued, she resumes her life and tries her best to find happiness in a cynical world. Even when she thinks her struggles are over and she has found happiness and contentment, things may not be what they seem.

Film ini tidak sedang tayang di MUBI, tetapi ada 30 film bagus lainnya.
Nights of Cabiria Disutradarai oleh Federico Fellini

Penghargaan & Festival

Cannes Film Festival

1957 | 1 Pemenang: Best Actress

1957 | 1 special mention termasuk: OCIC

Academy Awards

1958 | 1 Pemenang: Best Foreign Language Film

San Sebastián International Film Festival

1957 | 1 Pemenang: Best Actress (Zulueta Prize)

Ulasan Kritikus

Otherwise hardened and incredulous in so many ways, Cabiria remains open to fantasy, a testament to her dormant sanguinity and the buried hope that perhaps things can get better. She isn’t asking for empathy, and it’s not entirely her fault she briefly has faith in humanity. . . . Fellini once said that of all his characters, Cabiria was the only one he still worried about, yet by the film’s end, seeming to forget the futility of it all, there she is, among a band of revelers, cracking a smile.
January 20, 2018
Baca selengkapnya
…The character who started out as a picaresque heroine winds up as a kind of essence, an essence that can survive and even prevail over disillusioning stories. In this way Cabiria is a metaphor for the childlike gullibility or faith that makes Fellini’s dreamlike cinema possible, even when a film’s narrative underpinnings come loose.
August 21, 1998
Baca selengkapnya
It’s too much of a one-woman show, with Giulietta Masina’s heroine achieving a sublime illumination while all the other characters linger in the darkness of deception and irresolution. Like La Strada… Cabiria has some of the limitations of an acting vehicle that sometimes loses its way on the road of life and forks out into the bypaths of a virtuoso performance.
January 01, 1958
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