Film bellissimi, interessanti, incredibili.
Using the photographic archives of Hans Himmelheber (1938-39) and the hunting songs of Léon Verbeek as timeless devices and bearers of testimony, the film questions the psychoepistemology of globalization and its strategic device, technology.
Using the photographic archives of Hans Himmelheber (1938-39) and the hunting songs of Léon Verbeek as timeless devices and bearers of testimony, the film questions the psychoepistemology of globalization and its strategic device, technology.