A showcase of a few highlights & lowlights around his 1965 tour. Pennebaker doesn't do much but observe what's going on, and cut when needed or not. At points charming and enchanting, and at points very nasty, young Dylan is an interesting figure to look back on. For this piece of honest, direct cinema, context is key - I believe Roberto Polito's and Tim O Farrell's essays do provide it quite well. Light 8
Dylan insisted this wasn't the whole story, and he's right—for that, see No Direction Home. But it's one of the great rock movies just by dropping the camera into a media frenzy, where a brilliant (and thus arrogant) 24 year old songwriter could be turned into a prophet, cash cow, tabloid celebrity, and detached rock star brat. All the contradictions are on display of an era where such faith was placed in pop music.
Bob Dylan is one of my favourite artists of all time and much the same as the Beatles documentary, it's so interesting to see behind the scenes in a time when I wasn't alive. Dylan comes across like a giant asshat in this documentary, but I still love him all the same.
The artist as a young man. In this, Dylan is shown through a warts and all filter, letting us see the true brilliance of a poet and a musical genius, as well as an arrogant, frankly sometimes assholey young adult, so sure of himself and yet claiming not to know. It’s a fascinating doc that snapshots a time, place, and icon in his prime, painting a grainy black and white image of an era and it’s defining artist.
Don't Look Back remains, incontrovertibly, a vital document of its time - the exporting of American culture somewhere between the time of Leave It to Beaver and the time of Charles Manson. An innocent time, but only so innocent. It seems odd to be watching something so enthusiastically analogue on a fancy Criterion Blu-ray. Like many geniuses, young Bob Dylan was an idiot in addition to being a genius.
Truly fascinating. A documentary that without being obvious paints a truly compelling portrait about the biggest troubadour of our time. Dylan uses contradictions to see through people's bullshit. Because it's not about them and what they want. It's about the music, the poetry, and what it can do for us.
In some ways, DONT LOOK BACK is like direct cinema's mantra. The first scene in which Dylan interacts with the reporters is deliberately comical (both in the documentary performance of Dylan and Pennebaker's editing) and Dylan's interview with Time is a direct fist to the face of mainstream, fact-based, non-experiential journalism.