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161 Valutazioni

Montparnasse Bienvenüe

Jeune femme

Diretto da Léonor Serraille
Francia, 2017


Paula follows her companion in Paris, in spite of herself. But she finds the door closed. Far from being nostalgic, she drowns in Parisian life.

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Montparnasse Bienvenüe Diretto da Léonor Serraille

Premi e Festival

Cannes Film Festival

2017 | Vincitore: Caméra d’Or

César Awards

2018 | 2 candidature, tra cui: Best Female Newcomer

Rather than passive observation . . . the actively compassionate, political filmmaking of Varda and Serraille depict the difficulty of the struggle for subjectivity in a society in which objectification is relentless. . . . Both Paula and Mona are certainly escaping something; the question that Jeune Femme and Vagabond are asking about their active solitude is whether there is a liveable alternative to walk towards.
August 02, 2018
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If the film seems indecisive about how funny it wants to be, the observational humour of Léonor Serraille’s script can be dead-on. Every overachieving contemporary to whom one has ever failed to measure up is evoked by the airy CV offered by Lila’s mother, as she shows Paula around her palatial home: “I used to be an accountant; now I’m a dancer.”
May 23, 2018
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When I first saw Jeune Femme, I was bowled over by its dynamism and comic brio. . . . On a second viewing, I’d revise my view somewhat, and maybe play down the idea that Jeune Femme is strictly a comedy. It’s a very hard-edged film, one of those comedies that make you laugh because they go uncomfortably close to the edge of despair: Paula’s life in limbo is one of isolation and desolation, and her misadventures here are like a descent into hell.
March 08, 2018
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