Film bellissimi, interessanti, incredibili.
In a small hotel room at the 1982 Cannes Film Festival, Wim Wenders initiates a survey among his colleagues about the future of cinema. Godard, Fassbinder, Spielberg, Antonioni, Herzog, and other filmmakers respond to Wenders’ question: “Is cinema a language about to get lost, an art about to die?”
In a small hotel room at the 1982 Cannes Film Festival, Wim Wenders initiates a survey among his colleagues about the future of cinema. Godard, Fassbinder, Spielberg, Antonioni, Herzog, and other filmmakers respond to Wenders’ question: “Is cinema a language about to get lost, an art about to die?”
Wim Wenders raccoglie il meglio del cinema mondiale (da Godard ad Antonioni, da Herzog a Spielberg) per interrogarsi su un dubbio esistenziale. Illuminante e spassoso, Chambre 666 esamina l’estetica della TV e si chiede se i suoi effetti inquinanti decreteranno la condanna a morte del cinema.