Per una migliore esperienza su MUBI, aggiorna il tuo browser.
4.0
17.466 Valutazioni

Il laureato

The Graduate

Diretto da Mike Nichols
Stati Uniti, 1967
Drammatico, Commedia, Sentimentale

Trama

Il neolaureato Benjamin Braddock torna a casa dei genitori in California e intreccia un’inaspettata relazione sessuale con la moglie del socio in affari del padre, molto più grande di lui. Solo che si invaghisce anche della figlia.

Questo film non è attualmente in programmazione su MUBI, ma 30 altri fantastici film sì. Scopri cosa c'è in cartellone
Il laureato Diretto da Mike Nichols

Premi e Festival

Academy Awards

1968 | Vincitore: Best Director

1968 | 6 candidature, tra cui: Best Picture

National Board of Review

1967 | Vincitore: Top Ten Films

BAFTA Awards

1969 | 5 premi, tra cui: Best Direction

1969 | 2 candidature, tra cui: Best Actress

Directors Guild of America

1968 | Vincitore: Outstanding Directorial Achievement in Motion Pictures

The year 1967 was significant in cinema history, and if you’re trying to make sense of why, you don’t have to look much further than Mike Nichols’ The Graduate. It is a film which appears at a great turning point in Hollywood film history, at the moments of transition between one era tied to the strictures of classical storytelling and codes self-imposed censorship, and the beginning of a new American perspective on film influenced by artistic innovations from the cinema of Europe.
March 17, 2017
Leggi l'articolo completo
The Graduate might seem to belong to another age. But in truth it straddles both the old and the new. It survives not just as a peerless Hollywood entertainment but as a one-of-a-kind cinematic portrait of America when it, like Benjamin Braddock at the edge of his parents’ swimming pool, teetered on the brink.
February 23, 2016
Leggi l'articolo completo
Nichols had made only one previous feature, Who’s Afraid Of Virginia Woolf?, a deliberately claustrophobic chamber piece. Here, he shoots widescreen compositions that use the entire width of the frame to striking effect, and alternates between lengthy choreographed shots and jarring cuts… His use of Simon & Garfunkel’s music was equally revolutionary—movies had employed pop songs before, but never by combining one artist’s back catalogue with original material composed expressly for the film.
February 20, 2016
Leggi l'articolo completo

Recensioni e valutazioni

Film collegati