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1960 - 1969

by Black Irish
This list represents my very favorite films of the decade, possibly to be cut-off at a certain number at some point in the future, though the inclusions will still be subject to change. Probably not going to attempt a ‘top ten’ to include here in the information anytime soon, just due to the sheer difficulty of it. Various films I’m particularly interested in seeing, and in certain cases don’t want to lose track of, are listed below and will be removed once I have. If anyone has leads or information on any of the harder to find or less readily available films, please let me know. Anticipated: - Die 1000 Augen des Dr. Mabuse (Fritz Lang,… Read more

This list represents my very favorite films of the decade, possibly to be cut-off at a certain number at some point in the future, though the inclusions will still be subject to change. Probably not going to attempt a ‘top ten’ to include here in the information anytime soon, just due to the sheer difficulty of it.

Various films I’m particularly interested in seeing, and in certain cases don’t want to lose track of, are listed below and will be removed once I have. If anyone has leads or information on any of the harder to find or less readily available films, please let me know.

Anticipated:
- Die 1000 Augen des Dr. Mabuse (Fritz Lang, 1960)
- Austerlitz (Abel Gance, 1960)
- Banditi a Orgosolo (Vittorio De Seta, 1960)
- The Bellboy (Jerry Lewis, 1960)
- Les Bonnes Femmes (Claude Chabrol, 1960)
- Chronique d’un été (Rouch/Morin, 1960)
- City (Jan Troell, 1960)
- Classe Tous Risques (Claude Sautet, 1960)
- The Criminal (Joseph Losey, 1960)
- Daughters, Wives and a Mother (Mikio Naruse, 1960)
- Era Notte a Roma (Roberto Rossellini, 1960)
- Evening Stream (Kawashima/Naruse, 1960)
- The Goddess (Satyajit Ray, 1960)
- Home from the Hill (Vincente Minnelli, 1960)
- Normandie – Niémen (Dréville/Vyatich-Berezhnykh, 1960)
- Plein Soleil (René Clément, 1960)
- Sergeant Rutledge (John Ford, 1960)
- The Sun’s Burial (Nagisa Ôshima, 1960)
- Le Testament d’Orphée (Jean Cocteau, 1960)
- Le Trou (Jacques Becker, 1960)
- The Unforgiven (John Huston, 1960)
- La Vérité (Henri-Georges Clouzot, 1960)
- When a Woman Ascends the Stairs (Mikio Naruse, 1960)
- The White Dove (František Vláčil, 1960)
- Wild River (Elia Kazan, 1960)
- As a Wife, As a Woman (Mikio Naruse, 1961)
- Baron Prášil (Karel Zeman, 1961)
- The Conclusion (Satyajit Ray, 1961)
- The Children’s Hour (William Wyler, 1961)
- The Errand Boy (Jerry Lewis, 1961)
- Les Godelureaux (Claude Chabrol, 1961)
- Léon Morin, Prêtre (Jean-Pierre Melville, 1961)
- Lola (Jacques Demy, 1961)
- The Misfits (John Huston, 1961)
- Plácido (Luis García Berlanga, 1961)
- Pleins Feux sur l’Assassin (Georges Franju, 1961)
- The Postmaster (Satyajit Ray, 1961)
- Il Posto (Ermanno Olmi, 1961)
- Rabindranath Tagore (Satyajit Ray, 1961)
- Sanctuary (Tony Richardson, 1961)
- The Sand Castle (Jerome Hill, 1961)
- A Taste of Honey (Tony Richardson, 1961)
- Vanina Vanini (Robert Rossellini, 1961)
- Victim (Basil Dearden, 1961)
- Viva l’Italia! (Roberto Rossellini, 1961)
- Anima Nera (Roberto Rossellini, 1962)
- Barravento (Glauber Rocha, 1962)
- Cléo de 5 à 7 (Agnès Varda, 1962)
- Col Ferro e col Fuoco (Fernando Cerchio, 1962)
- La Dénonciation (Jacques Doniol-Valcroze, 1962)
- The Devil’s Trap (František Vláčil, 1962)
- I Fidanzati (Ermanno Olmi, 1962)
- It’s Only Money (Frank Tashlin, 1962)
- Jules et Jim (François Truffaut, 1962)
- Merrill’s Marauders (Samuel Fuller, 1962)
- Le Soupirant (Pierre Étaix, 1962)
- Tender Is the Night (Henry King, 1962)
- Thérèse Desqueyroux (Georges Franju, 1962)
- Two Weeks in Another Town (Vincente Minelli, 1962)
- Los Venerables Todos (Manuel Antin, 1962)
- Vie Privée (Louis Malle, 1962)
- A Wanderer’s Notebook (Mikio Naruse, 1962)
- Au Coeur de la Vie (Robert Enrico, 1963)
- Commando Assault (Mikko Niskanen, 1963)
- A Dream Play (Ingmar Bergman, 1963)
- Ganga Zumba (Carlos Diegues, 1963)
- Il Gattopardo (Luchino Visconti, 1963)
- Gli Ultimi (Vito Pandolfi, 1963)
- L’Immortelle (Alain Robbe-Grillet, 1963)
- Judex (Georges Franju, 1963)
- Kiss (Andy Warhol, 1963)
- Landru (Charles Chabrol, 1963)
- The List of Adrian Messenger (John Huston, 1963)
- Lord of the Flies (Peter Brook, 1963)
- Les Mauvaises Fréquentations (Jean Eustache, 1963)
- Pour la Suite du Monde (Brault/Carrière/Perrault, 1963)
- Rififí en la Ciudad (Jesús Franco, 1963)
- The Servant (Joseph Losey, 1963)
- Sleep (Andy Warhol, 1963)
- A Woman’s Story (Mikio Naruse, 1963)
- All These Women (Ingmar Bergman, 1964)
- Bartok (Ken Russell, 1964)
- Black God, White Devil (Glauber Rocha, 1964)
- The Brig (Jonas Mekas, 1964)
- Cast Iron (Otar Iosseliani, 1964)
- Charulata (Satyajit Ray, 1964)
- Cyrano et d’Artagnan (Abel Gance, 1964)
- Il Deserto Rosso (Michelangelo Antonioni, 1964)
- Fanny Hill (Russ Meyer, 1964)
- Forest of the Hanged (Liviu Ciulei, 1964)
- Hamlet (Grigori Kozintsev, 1964)
- The Inheritance (Masaki Kobayashi, 1964)
- Intentions of Murder (Shôhei Imamura, 1964)
- Le Journal d’une Femme de Chambre (Luis Buñuel, 1964)
- King & Country (Joseph Losey, 1964)
- Man’s Favorite Sport? (Howard Hawks, 1964)
- Mountain Vigil (Artavazd Peleshin, 1964)
- My Way Home (Miklós Jancsó, 1964)
- Le Puits et le Pendule (Alexandre Astruc, 1964)
- Le Temps Perdu (Michel Brault, 1964)
- À Tout Prendre (Claude Jutra, 1964)
- Il Vangelo Secondo Matteo (Pier Paolo Pasolini, 1964)
- White Mountains (Melis Ubukeyev, 1964)
- Yearning (Mikio Naruse, 1964)
- The Ashes (Andrzej Wajda, 1965)
- Comizi d’Amore (Pier Paolo Pasolini, 1965)
- The Coward (Satyajit Ray, 1965)
- L’Età del Ferro (Roberto Rossellini, 1965)
- Evariste Galois (Alexandre Astruc, 1965)
- The Family Jewels (Jerry Lewis, 1965)
- Les Fêtes Galantes (René Clair, 1965)
- Fortress of the Dead (Ferde Grofe Jr., 1965)
- A Fugitive from the Past (Tomu Uchida, 1965)
- The Heroes of Telemark (Anthony Mann, 1965)
- The Hill (Sidney Lumet, 1965)
- It Happened Here (Brownlow/Mollo, 1965)
- Man Is Not a Bird (Dušan Makavejev, 1965)
- Poor Little Rich Girl (Andy Warhol, 1965)
- Pour le Mistral (Joris Ivens, 1965)
- The Radish and the Carrot (Minoru Shibuya, 1965)
- Red Line 7000 (Howard Hawks, 1965)
- Ride in the Whirlwind (Monte Hellman, 1965)
- The Saragossa Manuscript (Wojciech Has, 1965)
- The Spy Who Came in from the Cold (Martin Ritt, 1965)
- Thomas l’Imposteur (Georges Franju, 1965)
- Trois Chambres à Manhattan (Marcel Carné, 1965)
- Vinyl (Andy Warhol, 1965)
- Viva Maria! (Louis Malle, 1965)
- Yoyo (Pierre Étaix, 1965)
- 7 Women (John Ford, 1966)
- The Andy Warhol Story (Andy Warhol, 1966)
- La Caza (Carlos Saura, 1966)
- Chelsea Girls (Warhol/Morrissey, 1966)
- Coach to Vienna (Karel Kachyna, 1966)
- Le Deuxième Souffle (Jean-Pierre Melville, 1966)
- Falling Leaves (Otar Iosseliani, 1966)
- Francesco d’Assisi (Liliana Cavani, 1966)
- Le Jardin des Tuileries (Guy Gilles, 1966)
- La Ligne de Démarcation (Claude Chabrol, 1966)
- La Longue Marche (Alexandre Astruc, 1966)
- Lumière (Marc Allégret, 1966)
- Persona (Ingmar Bergman, 1966)
- La Religieuse (Jacques Rivette, 1966)
- Rotterdam-Europoort (Joris Ivens, 1966)
- The Shooting (Monte Hellman, 1966)
- The Stranger Within a Woman (Mikio Naruse, 1966)
- Unsere Afrikareise (Peter Kubelka, 1966)
- The Velvet Underground and Nico: A Symphony of Sound (Andy Warhol, 1966)
- Accident (Joseph Losey, 1967)
- Blue Movie (Andy Warhol, 1967)
- I Crudeli (Sergio Corbucci, 1967)
- Dante’s Inferno (Ken Russell, 1967)
- Dead Youth (Donald Richie, 1967)
- Les Demoiselles de Rochefort (Jacques Demy, 1967)
- Edipo Re (Pier Paolo Pasolini, 1967)
- Idea di un’Isola (Roberto Rossellini, 1967)
- Imitation of Christ (Andy Warhol, 1967)
- In Cold Blood (Richard Brooks, 1967)
- Jean Renoir, le Patron (Jacques Rivette, 1967)
- Love Affair, or the Case of the Missing Switchboard Operator (Dušan Makavejev, 1967)
- A Man Vanishes (Shôhei Imamura, 1967)
- Marat/Sade (Peter Brook, 1967)
- Marketa Lazarová (František Vláčil, 1967)
- Munich ou la Paix Pour Cent Ans (Marcel Ophüls, 1967)
- Point Blank (John Boorman, 1967)
- Privilege (Peter Watkins, 1967)
- Reflections in a Golden Eye (John Huston, 1967)
- Romance for Bugle (Otakar Vávra, 1967)
- Le Samouraï (Jean-Pierre Melville, 1967)
- Le Scandale (Claude Chabrol, 1967)
- Scattered Clouds (Mikio Naruse, 1967)
- Silence and Cry (Miklós Jancsó, 1967)
- Lo Straniero (Luchino Visconti, 1967)
- Titicut Follies (Frederick Wiseman, 1967)
- Ulysses (Joseph Strick, 1967)
- Le Voleur (Louis Malle, 1967)
- Weekend (Jean-Luc Godard, 1967)
- Le 17e Parallèle: La Guerre du Peuple (Joris & Marceline Loridan Ivens, 1968)
- Le Beau Plaisir (Brault/Gosselin/Perrault, 1968)
- Boy (Nagisa Ôshima, 1968)
- The Cremator (Juraj Herz, 1968)
- The Doll (Wojciech Has, 1968)
- L’Enfance Nue (Maurice Pialat, 1968)
- Les Enfants de Néant (Brault/Tresgot, 1968)
- Fando y Lis (Alejandro Jodorowsky, 1968)
- Gates to Paradise (Andrzej Wajda, 1968)
- Il Grande Silenzio (Sergio Corbucci, 1968)
- High School (Frederick Wiseman, 1968)
- Histoires Extraordinaires (Vadim/Malle/Fellini, 1968)
- L’Homme Qui Ment (Alain Robbe-Grillet, 1968)
- La Hora de los Hornos (Getino/Solanas, 1968)
- Hour of the Wolf (Ingmar Bergman, 1968)
- Ich War Neunzehn (Konrad Wolf, 1968)
- If…. (Lindsay Anderson, 1968)
- Innocence Unprotected (Dušan Makavejev, 1968)
- Lebenszeichen (Werner Herzog, 1968)
- Mahatma: Life of Gandhi, 1869–1948 (Vithalbhai Jhaveri, 1968)
- La Mariée Était en Noir (François Truffaut, 1968)
- La Première Vague (Burch/Fieschi, 1968)
- La Prisonnière (Henri-Georges Clouzot, 1968)
- Profound Desires of the Gods (Shôhei Imamura, 1968)
- Riders in the Sky (Jindřich Polák, 1968)
- La Rosière de Pessac (Jean Eustache, 1968)
- Sayat Nova (Sergei Parajanov, 1968)
- Das Schloß (Rudolf Noelte, 1968)
- The Sea Gull (Sidney Lumet, 1968)
- Shame (Ingmar Bergman, 1968)
- Valley of the Bees (František Vláčil, 1968)
- War and Peace (Sergei Bondarchuk, 1968)
- L’Amour Fou (Jacques Rivette, 1969)
- Un Certo Giorno (Ermanno Olmi, 1969)
- Le Chagrin et la Pitié (Marcel Ophüls, 1969)
- The Confrontation (Miklós Jancsó, 1969)
- The Damned (Luchino Visconti, 1969)
- Détruire, Dit-elle (Marguerite Duras, 1969)
- Diares, Notes, and Sketches (Jonas Mekas, 1969)
- La Femme Infidèle (Claude Chabrol, 1969)
- Funeral Parade of Roses (Toshio Matsumoto, 1969)
- Georgian Ancient Songs (Otar Iosseliani, 1969)
- Le Grand Amour (Pierre Étaix, 1969)
- The Hungry Wolves (Yilmaz Güney, 1969)
- Jagdszenen aus Niederbayern (Peter Fleischmann, 1969)
- Justine (Cukor/Strick, 1969)
- Le Lit de la Vierge (Philippe Garrel, 1969)
- Lonesome Cowboys (Warhol/Morrissey, 1968)
- Medea (Pier Paolo Pasolini, 1969)
- The Night of Counting the Years (Shadi Abdel Salam, 1969)
- Paulina S’en Va (André Téchiné, 1969)
- Play Dirty (André De Toth, 1969)
- Queimada (Gillo Pontecorvo, 1969)
- La Sirène du Mississipi (François Truffaut, 1969)
- La Voie Lactée (Luis Buñuel, 1969)
- A Walk with Love and Death (John Huston, 1969)

NOTE: Bolded titles are more recent additions.

Added:

- L’Eclisse (Michelangelo Antonioni, 1962)

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