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ABC CINE MEX

by ramosbarajas
A FURTHER EXPLORATION OF MEXICAN CINEMA – BROADER IN TERMS OF GENRES, ACTORS, AND YEARS. IT IS SUPPOSED TO MAKE ME BRANCH OUT INTO OTHER FILMS I WOULD NOT NORMALLY SEE OR HAVE BEEN MEANING TO WATCH FOR SOME TIME. I PLAN ON DOING A WRITE UP OF EACH, AND IF THAT HAPPENS, I’LL LINK BACK HERE. PROBABLY IN ENGLISH TO MAKE IT AVAILABLE TO THOSE WHO WISH TO LEARN MORE ABOUT OUR NATIONAL CINEMA BUT DO NO SPEAK SPANISH. A : ALLÁ EN EL RANCHO GRANDE (1936) by Fernando de Fuentes B : EL BULTO (1992) by Gabriel Retes C : CRONOS (1992) by Guillermo del Toro D : DANZÓN (1991) by María Novaro E : ENAMORADA (1946) by Emilio Fernández F : FRIDA, NATURALEZA… Read more

A FURTHER EXPLORATION OF MEXICAN CINEMABROADER IN TERMS OF GENRES, ACTORS, AND YEARS. IT IS SUPPOSED TO MAKE ME BRANCH OUT INTO OTHER FILMS I WOULD NOT NORMALLY SEE OR HAVE BEEN MEANING TO WATCH FOR SOME TIME.

I PLAN ON DOING A WRITE UP OF EACH, AND IF THAT HAPPENS, I’LL LINK BACK HERE. PROBABLY IN ENGLISH TO MAKE IT AVAILABLE TO THOSE WHO WISH TO LEARN MORE ABOUT OUR NATIONAL CINEMA BUT DO NO SPEAK SPANISH.

A : ALLÁ EN EL RANCHO GRANDE (1936) by Fernando de Fuentes
B : EL BULTO (1992) by Gabriel Retes
C : CRONOS (1992) by Guillermo del Toro
D : DANZÓN (1991) by María Novaro
E : ENAMORADA (1946) by Emilio Fernández
F : FRIDA, NATURALEZA VIVA (1983) by Paul Leduc
G : GANGSTERS CONTRA CHARROS (1948) by Juan Orol
H : HASTA EL VIENTO TIENE MIEDO (1967) by Carlos Enrique Taboada
I : LA ILUSIÓN VIAJA EN TRANVÍA (1954) by Luis Buñuel
J : JAPÓN (2002) by Carlos Reygadas
K : KINO: LA LEYENDA DEL PADRE NEGRO (1993) by Felipe Cazals
L : EL LUGAR SIN LÍMITES (1978) by Arturo Ripstein
M : MECÁNICA NACIONAL (1972) by Luis Alcoriza
N : NOSOTROS LOS POBRES (1948) by Ismael Rodríguez
Ñ : DOÑA HERLINDA Y SU HIJO (1984) by Jaime Humberto Hermosillo
O : LOS OLVIDADOS (1950) by Luis Buñuel
P : PUEBLERINA (1948) by Emilio Fernández and LA PASION SEGUN BERENICE (1975) by Jaime Humberto Hermosillo
Q : ¡QVIVA MÉXICO! (1932) by Sergei Eisenstein
R : ROJO AMANECER (1989) by Jorge Fons
S : Remake Double Feature SALÓN MÉXICO (1948) by Emilio Fernández & SALÓN MÉXICO (1996) by José Luis García Agraz
plus SUBIDA AL CIELO (1952) by Luis Buñuel
T : TODO EL PODER (2000) by Fernando Sariñana
U : UNA FAMILIA DE TANTAS (1948) by Alejandro Galindo
V : EL VIOLIN (2005) by Francisco Vargas
W : Remake Double Feature LA MUJER DEL PUERTO (1934) by Arcady Boytler & LA MUJER DEL PUERTO (1991) by Arturo Ripstein (it’s rather hard to find W, so let’s go with THE WOMAN OF THE PORT)
X : MARÍA CANDELARIA (XOCHIMILCO) (1943) by Emilio Fernández
Y : Y TU MAMÁ TAMBIÉN (2001) by Alfonso Cuarón
Z : International perspectives EMILIO ZAPATA (1970) by Felipe Cazal, VIVAZAPATA! by Elia Kazan, and ZAPATA: EL SUENO DE UN HEROE by Alfonso Arau

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