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American cinema peaked in the 1960s fight me

by cranly
American cinema peaked in the 1960s fight me by cranly
Petulia, Richard Lester (1968) The Fall of the Roman Empire, Anthony Mann (1964) Sweet Love, Bitter, Herbert Danska (1967) The Apartment, Billy Wilder (1960) Up Tight!, Jules Dassin (1968) Carnival of Souls, Herk Harvey (1962) The Rain People, Francis Ford Coppola (1969) The Last Sunset, Robert Aldrich (1961) Faster, Pussycat! Kill! Kill!, Russ Meyer (1965) The Incident, Larry Peerce (1967) The Wild Bunch, Sam Peckinpah (1969) Greetings, Brian De Palma (1968) Bad Girls Go to Hell, Doris Wishman (1965) Night of the Living Dead, George A. Romero (1968) Black Natchez, Ed Pincus (1967) Shock Corridor, Samuel Fuller (1963) The Great Blondino,… Read more

Petulia, Richard Lester (1968)
The Fall of the Roman Empire, Anthony Mann (1964)
Sweet Love, Bitter, Herbert Danska (1967)
The Apartment, Billy Wilder (1960)
Up Tight!, Jules Dassin (1968)
Carnival of Souls, Herk Harvey (1962)
The Rain People, Francis Ford Coppola (1969)
The Last Sunset, Robert Aldrich (1961)
Faster, Pussycat! Kill! Kill!, Russ Meyer (1965)
The Incident, Larry Peerce (1967)
The Wild Bunch, Sam Peckinpah (1969)
Greetings, Brian De Palma (1968)
Bad Girls Go to Hell, Doris Wishman (1965)
Night of the Living Dead, George A. Romero (1968)
Black Natchez, Ed Pincus (1967)
Shock Corridor, Samuel Fuller (1963)
The Great Blondino, Robert Nelson (1967)
Freud, John Huston (1962)
The Crazy-Quilt, John Korty (1966)
Titicut Follies, Frederick Wiseman (1967)
Medium Cool, Haskell Wexler (1969)
Psycho, Alfred Hitchcock (1960)
The Silent Revolution (aka Black Liberation), Edouard de Laurot (1967)
Advise & Consent, Otto Preminger (1962)
Private Property, Leslie Stevens (1960)
Seconds, John Frankenheimer (1966)
Sins of the Fleshapoids, Mike Kuchar (1965)
The Balcony, Joseph Strick (1963)
The Masque of the Red Death, Roger Corman (1964)
In the Year of the Pig, Emile de Antonio (1968)
Ride in the Whirlwind, Monte Hellman (1965)
Nothing But a Man, Michael Roemer (1964)
Salesman, Albert & David Maysles/Charlotte Zwerin (1968)
The Naked Prey, Cornel Wilde (1966)
Lolita, Stanley Kubrick (1962)
The Savage Eye, Ben Maddow/Sidney Meyers/Joseph Strick (1960)
El Dorado, Howard Hawks (1966)
Flesh, Paul Morrissey (1968)
Night Tide, Curtis Harrington (1961)
The Nutty Professor, Jerry Lewis (1963)
Don’t Look Back, D.A. Pennebaker (1967)
Long Day’s Journey Into Night, Sidney Lumet (1962)
David Holzman’s Diary, Jim McBride (1967)
The Stalking Moon, Robert Mulligan (1968)
Hallelujah the Hills, Adolfas Mekas (1963)
Blast of Silence, Allen Baron (1961)
Wild River, Elia Kazan (1960)
Echoes of Silence, Peter Emmanuel Goldman (1967)
Two Weeks in Another Town, Vincente Minnelli (1962)
The Edge, Robert Kramer (1968)
Coming Apart, Milton Moses Ginsberg (1969)
7 Women, John Ford (1966)
Beyond the Law, Norman Mailer (1968)
Chelsea Girls, Andy Warhol (1966)
Tell Them Willie Boy Is Here, Abraham Polonsky (1969)
Corruption of the Damned, George Kuchar (1965)
Flaming Creatures, Jack Smith (1963)
A Countess from Hong Kong, Charles Chaplin (1967)
Tom, Tom, the Piper’s Son, Ken Jacobs (1969)
Scorpio Rising, Kenneth Anger (1964)
Heaven and Earth Magic, Harry Smith (1962)
Point Blank, John Boorman (1967)
Faces, John Cassavetes (1968)
Dog Star Man, Stan Brakhage (1964)
The Illiac Passion, Gregory Markopoulos (1967)
Comanche Station, Budd Boetticher (1960)
Good Times, Wonderful Times, Lionel Rogosin (1966)
Targets, Peter Bogdanovich (1968)
The Exiles, Kent Mackenzie (1961)
The Flower Thief, Ron Rice (1960)
Walden: Diaries, Notes, and Sketches, Jonas Mekas (1969)
Putney Swope, Robert Downey Sr. (1969)
Madigan, Don Siegel (1968)
The Connection, Shirley Clarke (1962)
Me and My Brother, Robert Frank (1969)
The Wind Is Driving Him Towards the Open Sea, David Brooks (1968)
King, Murray, David Hoffman (1969)
Andy, Richard C. Sarafian (1965)
Line of Apogee, Lloyd Michael Williams (1968)
American Revolution 2, Howard Alk/Mike Gray (1969)

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