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Becoming (A) Reality: Asian documentary filmmaking

by FilmStillLives
Becoming (A) Reality: Asian documentary filmmaking by FilmStillLives
Not listed in mubi: Chinese Competitors at the 6th Far East Sports Games in Japan (1923, Lai Man-wai) The Battle of Shanghai (1937, Lai Man-wai) A Page of History (1941, Lai Man-wai) The Tragedy of Japan (1946, Kamei Fumio) A Woman’s Life (1949, Kamei Fumio) City of Violence (1950, Kamei Fumio) Children of the Bases (1953, Kamei Fumio) Record of a Single Mother (1956, Kyogoku Takahide-Iwanami) Still It’s Good to Live (1956, Kamei Fumio) The Children of Kujuku Ri Beach (1956, Yokota Keita-Production Council) The People of Sunagawa (1956, Kamei Fumio) School for Village Women (1957, Haneda Sumiko-Iwanami) The Children of a Town of Soot and… Read more

Not listed in mubi:

Chinese Competitors at the 6th Far East Sports Games in Japan (1923, Lai Man-wai)
The Battle of Shanghai (1937, Lai Man-wai)
A Page of History (1941, Lai Man-wai)
The Tragedy of Japan (1946, Kamei Fumio)
A Woman’s Life (1949, Kamei Fumio)
City of Violence (1950, Kamei Fumio)
Children of the Bases (1953, Kamei Fumio)
Record of a Single Mother (1956, Kyogoku Takahide-Iwanami)
Still It’s Good to Live (1956, Kamei Fumio)
The Children of Kujuku Ri Beach (1956, Yokota Keita-Production Council)
The People of Sunagawa (1956, Kamei Fumio)
School for Village Women (1957, Haneda Sumiko-Iwanami)
The Children of a Town of Soot and Smoke (1957, Yokota Keita-Production Council)
The World is Terrified—The Reality of the “Ash of Death” (1957, Kamei Fumio)
Town Politics—Mothers Who Study (1957, Tokieda Toshie-Iwanami)
Anpo (1960, Matsumoto Toshio)
Water Comes Over the Hills from the East (1965, Lo Kwan-hung)
I Am 20 (1967, S.N.S. Sastry)
Suicide on H.P. (1967, Charles Wang)
Prehistory of the Partisans (1968, Ogawa Pro-Tsuchimoto Noriaki/Tsutsumi Masao)
Onikko: A Record of the Struggle of Youth Labourers (1970, NDU Collective)
Sanrizuka—The Three Day War (1970, Ogawa Pro-Ogawa Shinsuke)
Winter in Sanrizuka (1970, Ogawa Pro-Ogawa Shinsuke)
Living: Twenty-five Years after the Mass Suicide on Tokashiki Island, Okinawa (1971, Yamatani Tetsuo)
Motoshinkakurannu (1971, NDU Collective)
Sanrizuka—The Construction of Iwayama Tower (1971, Ogawa Pro-Ogawa Shinsuke)
Filmmaking and the Way to the Village (1973, Ogawa Pro-Fukuda Katsuhiko)
First Emperor (1973, Hara Masato)
Going Down Into Shinjuku Station (1974, Jonouchi Motoharu)
Impressions of a Sunset (1974, Suzuki Shiroyasu)
Miyako (1974, Yamatani Tetsuo)
Interview at Clean Center (1975, Ogawa Pro-Ogawa Shinsuke)
Harvesting Shadows of Grass (1977, Suzuki Shiroyasu)
The Magino Village Story (1977, Ogawa Pro-Ogawa Shinsuke)
My View of the Cherry Tree with Grey Blossoms (1978, Haneda Sumiko)
Tokyo Chrome Desert (1978, Yamamura Nobuki)
15 Days (1980, Suzuki Shiroyasu)
Rising Sun (1980, Edwin Kong)
War of Positions (1983, Stephen Teo/Lo King-wah)
Wonders of Life (1983, Edwin Kong)
My Filipina (1984, Stephen Teo/Lo King-wah)
A Grass Cutter’s Tale (1985, Fukuda Katsuhiko)
Children of the Regime (1985, Nick Deocampo)
Yama—Attack to Attack (1985, Sato Mitsuo/Yamaoka Kyoichi)
Bejalai (1986, Stephen Teo)
Kyoto Demon Market (1987, Ogawa Pro-Ogawa Shinsuke)
Moon Children (1990, Wu Yi-feng)
A Movie Capital (1991, Ogawa Pro-Iizuka Toshio/Ogawa Shinsuke)
Tiananmen (1991, Shi Jian/Chen Jue)
Ynang-Bayan: To Be A Woman Is To Live In A Time of War (1991, Nick Deocampo)
Catholics in Tibet (1992, Jiang Yue)
Hair Opera (1992, Obitani Yuri)
I Have Graduated (1992, Wang Guangli/Shi Jian/SWYC)
Sunday Evening (1992, Kamioka Fumie)
1966, My Time in the Red Guards (1993, Wu Wenguang)
Big Tree County (1993, Hao Zhiqiang)
Claustromania (1993, Wada Junko
The Other Bank (1993, Jiang Yue)
The Sacred Site of Asceticism (1993, Wen Pulin/Duan Jinchuan)
Tibetan Theatre Troupe (1993, Fu Hongxing)
Water in My Ears (1993, Utagawa Keiko)
A Tragedy Ahead (1995, Cheng Chi-hung)
At Home in the World (1995, Wu Wenguang)
Peach Baby Oil (1995, Wada Junko)
No. 16 Barkhor South Street (1996, Duan Jinchuan)
Why Don’t We Sing? (1996, Guan Xiaorong/Lan Bozhou/Fan Zhenguo/Li Sanchong)
Diasporama: Dead Air (1997, Yau Ching)
Habitual Sadness (1997, Byun Young-joo)
Journey to Beijing (1998, Evans Chan)
King of Kowloon (1998, Joanne Shen/Martin Egan)
Adeus Macau (1999, Evans Chan)
Annyeong Kimchi (1999, Matsue Tetsuaki)
Gongbu’s Happy Life (1999, Ji Dan)
Invisible Women (1999, Tammy Cheung)
My Mishima (1999, Hara Kazuo)
My Own Breathing (1999, Byun Young-joo)
Swing in Beijing (1999, Wang Shuibo)
The Elders (1999, Ji Dan)
Factory Doctor Zhang Liming (2000, Li Xiao)
There Is A Strong Wind in Beijing (2000, Ju Anqi)
Women’s Private Parts (2000, Barbara Wong Chun-chun)
Home Movie (2001, Yang Lina)
The Box (2001, Ying Weiwei)
A Student Village (2002, Wei Xing)
Dare Ya! (2002, Louis Tan)
DV China (2002, Zheng Dasheng)
Good Life (2002, Hsu Hui-ju)
Happy or Not (2002, Wu Tairen/Wu Jingyi)
Houjie (2002, Zhou Hao/Ji Jianghong)
Lai Man-wai: Father of Hong Kong Cinema (2002, Clifford Choi Kai-kwong)
Little Red (2002, Jiang Zhi)
Secondary School (2002, Tammy Cheung)
The Life and Times of Wu Zhong Xian (2002, Evans Chan)
This Happy Life (2002, Jiang Yue)
Wellspring (2002, Sha Qing/Ji Dan)
Farewell 1999 (2003, Wuna Wu)
Mine No. 8 (2003, Xiao Peng)
Moving (2003, Tammy Cheung)
Professional Mourner (2003,
Rice Distribution (2003, Tammy Cheung)
Sanyuanli (2003, Ou Ning/Cao Fei)
Springtime in Wushan (2003, Zhang Ming)
The Man (2003, Hu Xinyu)
The Man Who Repairs Bicycles (2003,
Viva Tonal—The Dance Age (2003, Chien Wei-ssu/Kuo Chen-ti)
White Tower (2003,
Winter Days (2003, Zhao Gang)
Gift of Life (2004, Wu Yi-feng)
Gongliao, How Are You? (2004, Cui Suixin)
July (2004, Tammy Cheung)
Jump! Boys (2004, Lin Yuxian)
Night Scene (2004, Cui Zi’en)
Singapore Rebel (2004, Martyn See)
Sorceress of the New Piano (2004, Evans Chan)
Voice of the Angry River (2004, Shi Lihong)
Landlord Mr. Jiang (2005, Liang Zi)
Losing (2005, Zuo Yixiao)
Speaking Up (2005, Tammy Cheung)
Taishi Village (2005, Ai Xiaoming)
The Storm (2005, Duan Jinchuan/Jiang Yue)
A Piece of Heaven: Primary Document (2006, Louisa Wei)
Cui Jian: Rocking China (2006, Louisa Wei)
Heavenly Kings (2006, Daniel Wu)
Homeless (2006, James Leong/Lynn Lee)
My Football Summer (2006, Yang Li-chou)
Nostalgia (2006, Shu Haolun)
Passabe (2006, James Leong/Lynn Lee)
Zahari’s 17 Years (2006, Martyn See)
0506HK (2007, Quentin Lee Mang-hei)
All’s Right With the World (2007, Cheung King-wai)
Noise (2007, Wang Wo)
One Way Street on a Turntable (2007, Anson Mak)
Somewhere Over the Cloud (2007, Hsiao Mei-ling)
Speaking Up II (2007, Tammy Cheung)
The Garden of Heaven (2007, Ai Xiaoming/Hu Jie)
Attitude (2008, Liao Renshuai/Lin Jiawei)
Beyond the Arctic (2008, Yang Li-chou)
Domestic Violence trilogy (2008-2012, Kuo Shiao-yun)
Hong Kong UFO Documentary (2008, Prodip)
KJ: Music and Life (2008, Cheung King-wai)
Stars (2008, Li Gang)
This Darling Life (2008, Angie Chen)
Decameron (2009, Denise Ho/Mak Yan-yan)
Election (2009, Tammy Cheung)
HK Style (2009, Mathias Woo)
Storm Under the Sun (2009, Louisa Wei/Peng Xiaolian)
Dr. Lim Hock Siew (2010, Martyn See)
The Long Goodbye (2010, Yang Li-chou)
Zhe Teng: According to Chian (2010, Wang Wo)
Datong: The Great Society (2011, Evans Chan)
My Way (2011, Cheuk Cheung)
Young at Heart: Grandma Cheerleaders (2011, Yang Li-chou)
Lonely Swallows: Living as the Children of Immigrant Workers (2012, Nakamura Mayu/Tsumura Kimihiro)
One Tree, Three Lives (2012, Angie Chen)
On the Edge of a Floating City We Sing (2012, Anson Mak)
Flowing Stories (2013, Tsang Tsui-shan)
Golden Gate Girls (2013, Louisa Wei)
Oh, the San Xia (2013, Wang Libo)
The 561st Hour of Occupation (2014, Yuan Goang-ming)
The Dialogue (2014, Wang Wo)
The Empire of Shame (2014, Hong Li-gyeong)
The Storm Makers (2014, Guillaume Suon)
Filmless Festival (2015, Wang Wo)

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