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Haile Gerima [In Progress]

by Dizzy Moods
Here are my thoughts on Haile Gerima. The list ranks his films features first followed by shorts. “I see all my films as a staircase of emotional evolution. They have my dreams, my nightmares, my wishes, my fantasies, my rage, and so they’re never obsolete.” On his new film The Maroons: [T]his is an untold history, because it’s really about black people who ran away on their own, didn’t wait to be freed, which I think is very important to tell because most of the time the history is told that somebody freed black people. And it’s kind of negative, because it paralyzes the capacity of young people of all races to not be told the virtue of… Read more

Here are my thoughts on Haile Gerima. The list ranks his films features first followed by shorts.

“I see all my films as a staircase of emotional evolution. They have my dreams, my nightmares, my wishes, my fantasies, my rage, and so they’re never obsolete.”


On his new film The Maroons: [T]his is an untold history, because it’s really about black people who ran away on their own, didn’t wait to be freed, which I think is very important to tell because most of the time the history is told that somebody freed black people. And it’s kind of negative, because it paralyzes the capacity of young people of all races to not be told the virtue of all human beings – that is, resisting and fighting back. Nobody just gives in to slavery.

“I may not have a claim of how distributed I am all over the world, but what comes to me are all the black people who hugged me after doing Sankofa. That to me was the biggest capital I ever received, and it’s emotional, it’s very visceral. It makes you forget the hardest journey it took to get the film out. So when a film is claimed by people, to me is a success.”

To See:

1. Harvest 3,000 Years
2. Wilmington 10 -USA 10,000
3. After Winter: Sterling Brown

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