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lovelist ∞

by Mario Tomchev
Features, docs, shorts in alphabetical order. Every film, regardless of its form, is a creation possibility: sensational, pure and impure, known and unknown, finite and infinite, just as evolutional as the body and mind of every man. ~ BEAU TRAVAIL (Claire Denis, 1999) DECASIA (Bill Morrison, 2002) JAUJA (Lisandro Alonso, 2014) MALGRÉ LA NUIT (Philippe Grandrieux, 2016) SANS SOLEIL (Chris Marker, 1983) SOLARIS (Andrei Tarkovsky, 1972) TASTE OF CHERRY (Abbas Kiarostami, 1997) TEOREMA (Pier Paolo Pasolini, 1968) TROPICAL MALADY (Apichatpong Weerasethakul, 2004) WHAT TIME IS IT THERE? (Ming-liang Tsai, 2001) WINDOW WATER BABY MOVING (Stan… Read more

Features, docs, shorts in alphabetical order.

Every film, regardless of its form, is a creation possibility: sensational, pure and impure, known and unknown, finite and infinite, just as evolutional as the body and mind of every man.

~

BEAU TRAVAIL (Claire Denis, 1999)
DECASIA (Bill Morrison, 2002)
JAUJA (Lisandro Alonso, 2014)
MALGRÉ LA NUIT (Philippe Grandrieux, 2016)
SANS SOLEIL (Chris Marker, 1983)
SOLARIS (Andrei Tarkovsky, 1972)
TASTE OF CHERRY (Abbas Kiarostami, 1997)
TEOREMA (Pier Paolo Pasolini, 1968)
TROPICAL MALADY (Apichatpong Weerasethakul, 2004)
WHAT TIME IS IT THERE? (Ming-liang Tsai, 2001)
WINDOW WATER BABY MOVING (Stan Brakhage, 1959)

Pasolini: 6
Grandrieux: 5
Weerasethakul: 4
Tsai: 4
Tarkovsky: 3
Brakhage: 3
Marker: 3
Dumont: 3
Denis: 3
Palfi: 3
Lanthimos: 3
Kar-wai: 3
Jarmusch: 3
Lynch: 3
Alonso: 2
Mascaro: 2
Snow: 2
McQueen: 2
Noe: 2
Fassbinder: 2
Herzog: 2
Kiarostami: 2
Parajanov: 2
Antonioni: 2
Ferreri: 2
Van Sant: 2

~

Because of life, there is joy. Because of joy, there is love. Because of love, there is sadness. Because of sadness, there is cinema. Because of cinema, there is life.

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