“The historian of cinema faces an appalling problem. Seeking in his subject some principle of intelligibility, he is obliged to make himself responsible for every frame of film in existence. For the history of cinema consists precisely of every film that has ever been made, for any purpose whatsoever.
The metahistorian of cinema, on the other hand, is occupied with inventing a tradition, that is, a coherent wieldy set of discrete monuments, meant to inseminate resonant consistency into the growing body of his art."
– Hollis Frampton, For a Metahistory of Film: Commonplace Notes and HypothesisRead less