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Muscular Art

by Sandy Connell
The flimsy, delicate, sensuous, unknowable and sometimes veiled nature of Art rarely enjoys the kind of sturdy, forceful, plainly suggestive support of a firmly crafted, well-built, muscular filmmaking style being put through its paces. Lee Marvin in POINT BLANK (1967) Tom Hardy in BRONSON (2008) Tony Curtis in THE BOSTON STRANGLER (1968) Max von Sydow uproots a fucking tree (!!!) in THE VIRGIN SPRING (1960) Terrence Stamp in THE HIT (1984) Films Of Every Colour Read more

The flimsy, delicate, sensuous, unknowable and sometimes veiled nature of Art rarely enjoys the kind of sturdy, forceful, plainly suggestive support of a firmly crafted, well-built, muscular filmmaking style being put through its paces.


Lee Marvin in POINT BLANK (1967)

Tom Hardy in BRONSON (2008)

Tony Curtis in THE BOSTON STRANGLER (1968)

Max von Sydow uproots a fucking tree (!!!) in THE VIRGIN SPRING (1960)

Terrence Stamp in THE HIT (1984)

Films Of Every Colour

Read less