Muscular Art

The flimsy, delicate, sensuous, unknowable and sometimes veiled nature of Art rarely enjoys the kind of sturdy, forceful, plainly suggestive support of a firmly crafted, well-built, muscular filmmaking style being put through its paces.

Lee Marvin in POINT BLANK (1967)

Tom Hardy in BRONSON (2008)

Tony Curtis in THE BOSTON STRANGLER (1968)

Max von Sydow uproots a fucking tree (!!!) in THE VIRGIN SPRING (1960)

Terrence Stamp in THE HIT (1984)

Films Of Every Colour