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première nécessité de Auteur

by michaelstemplin@gmail.com
Essentials “Every film is a hard and painful process, and very tiring and difficult. And even when it’s finished, I never really feel, “This is great, I’m happy and satisfied.” With “West of the Tracks”, I never felt great satisfaction when I was done. The hard truth is that for me it’s very hard to actually get a feeling of relief and satisfaction from completing a film.” -Wang Bing The State of the World [O ESTADO DO MUNDO] (Weerasethakul, Ferraz, Abraham, Bing, Costa, Akerman, 2007) Joyû Sumako no koi [THE LOVE OF SUMAKO THE ACTRESS] (Mizoguchi, 1947) The Swordsman [MIYAMOTO MUSASHI] (Mizoguchi, 1944) Tokyo March [TOKYO KOSHINYOKU]… Read more

Essentials

“Every film is a hard and painful process, and very tiring and difficult. And even when it’s finished, I never really feel, “This is great, I’m happy and satisfied.” With “West of the Tracks”, I never felt great satisfaction when I was done. The hard truth is that for me it’s very hard to actually get a feeling of relief and satisfaction from completing a film.”
-Wang Bing

The State of the World [O ESTADO DO MUNDO] (Weerasethakul, Ferraz, Abraham, Bing, Costa, Akerman, 2007)
Joyû Sumako no koi [THE LOVE OF SUMAKO THE ACTRESS] (Mizoguchi, 1947)
The Swordsman [MIYAMOTO MUSASHI] (Mizoguchi, 1944)
Tokyo March [TOKYO KOSHINYOKU] (Mizoguchi, 1929)

by director; descending

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