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The Auteurs Style

by House 0f Leaves
Putting a film next to those very strange style categories, here on TheAuteurs. Auteur-Driven — The Mirror (Tarkovsky) Inspired Collaboration — 2001: A Space Odyssey (Kubrick and Clarke) Melancholy — Damnation (Tarr) Zip, Whiz, and Energetic! — Irreversible (Noe) Serene & Subtle — The Pear Tree (Mehrjui) Wildly Romantic — Once (Carney) Fashionable Alienation — Popeye (Altman) Deliriously Surreal — Valerie and Her Week of Wonders (Jireš) Nouvelle Vague — Bob le Flambeur (Melville) Rebellion! — How Wang-Fo Was Saved (Laloux) Canonical Classics — M (Lang) Shh!—Silent Cinema — A Man There Was (Sjöström) Of-the-Moment — United 93… Read more

Putting a film next to those very strange style categories, here on TheAuteurs.

Auteur-Driven — The Mirror (Tarkovsky)

Inspired Collaboration — 2001: A Space Odyssey (Kubrick and Clarke)

Melancholy — Damnation (Tarr)

Zip, Whiz, and Energetic! — Irreversible (Noe)

Serene & Subtle — The Pear Tree (Mehrjui)

Wildly Romantic — Once (Carney)

Fashionable Alienation — Popeye (Altman)

Deliriously Surreal — Valerie and Her Week of Wonders (Jireš)

Nouvelle Vague — Bob le Flambeur (Melville)

Rebellion! — How Wang-Fo Was Saved (Laloux)

Canonical Classics — M (Lang)

Shh!—Silent Cinema — A Man There Was (Sjöström)

Of-the-Moment — United 93 (Greengrass)

Of-the-Past — Lawrence of Arabia (Lean)

High Art — Kwaidan (Kobayashi)

Pop Art — Raiders of the Lost Ark (Spielberg)

Vanguard Cinema — Wavelength (Snow)

Other-Worldly — Phantoms of Nabua (Weerasethakul)

Neorealist — The Bicycle Thieves (De Sica)

Coming-of-Age — Benny’s Video (Haneke)

Avant-Garde – Ten Skies (Benning)

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