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thou shalt have no other god(ard) before me: 1960/1967

by kyeo
thou shalt have no other god(ard) before me: 1960/1967 by kyeo
“at the time jean-luc godard and general de gaulle were the most recognized frenchmen in the whole world, so this larger-than-life public image actually hid the man. godard was an image, and an icon…” (antoine bourseiller) 1960 ▪ “à bout de souffle” ▪ “le petit soldat” 1961 ▪ “une femme est une femme” 1962 ▪ “vivre sa vie” 1963 ▪ “les carabiniers” ▪ “le mépris” 1964 ▪ “bande à part” ▪ “une femme mariée” 1965 ▪ “alphaville, une étrange aventure de lemmy caution” ▪ “pierrot le fou” 1966 ▪ “masculin féminin” ▪ “made in U.S.A.” 1967 ▪ “deux ou trois choses que je sais d’elle” ▪ “la chinoise” ▪ … Read more

“at the time jean-luc godard and general de gaulle were the most recognized frenchmen in the whole world, so this larger-than-life public image actually hid the man. godard was an image, and an icon…” (antoine bourseiller)

1960
▪ “à bout de souffle”
▪ “le petit soldat”

1961
▪ “une femme est une femme”

1962
▪ “vivre sa vie”

1963
▪ “les carabiniers”
▪ “le mépris”

1964
▪ “bande à part”
▪ “une femme mariée”

1965
▪ “alphaville, une étrange aventure de lemmy caution”
▪ “pierrot le fou”

1966
▪ “masculin féminin”
▪ “made in U.S.A.”

1967
▪ “deux ou trois choses que je sais d’elle”
▪ “la chinoise”
▪ “weekend”

11/15 (HUMBLE) COMMANDMENTS:

essential
- à bout de souffle (1960)
- bande à part (1964)
- pierrot le fou(1965)

must see
- le petit soldat (1960)
- vivre sa vie (1962)
- le mépris (1963)
- made in U.S.A. (1966)
- la chinoise (1967)

should see
- une femme mariée (1964)
- masculin féminin (1966)
- deux ou trois choses que je sais d’elle (1967)


“godard passed through the world of cinema the way rimbaud passed through the world of poetry, but now he’s a figure who’s been swallowed up by the gray walls of the city” (antoine bourseiller)



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