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Watched in March 2012

by Enrico Camporesi
MARCH 2/3 The barefoot contessa, Joseph L. Mankiewicz, 1954. 35mm, Action Christine, Paris. 3/3 69, Robert Breer, 1968. Video, Expo Les mystères de l’Ouest (Nouveau Festival), Centre Pompidou, Paris. 4/3 Five easy pieces, Bob Rafelson, 1970. La filmothèque du Quartier Latin, Paris. 5/3 Ady (Essais cinématographiques), Man Ray, 1938. File video (or. 16mm), Centre Pompidou, Paris. 5/3 Arnulf Rainer, Peter Kubelka, 1958-1960. 35mm, moviola, Centre Pompidou, Paris. 5/3 Mosaik im Vertrauen, Peter Kubelka, 1954-1955. 35mm, moviola, Centre Pompidou, Paris. 5/3 Ghost rider: spirit of vengeance, Mark Neveldine, Brian Taylor, 2011. DCP, UGC Orient… Read more

MARCH

2/3 The barefoot contessa, Joseph L. Mankiewicz, 1954. 35mm, Action Christine, Paris.
3/3 69, Robert Breer, 1968. Video, Expo Les mystères de l’Ouest (Nouveau Festival), Centre Pompidou, Paris.
4/3 Five easy pieces, Bob Rafelson, 1970. La filmothèque du Quartier Latin, Paris.
5/3 Ady (Essais cinématographiques), Man Ray, 1938. File video (or. 16mm), Centre Pompidou, Paris.
5/3 Arnulf Rainer, Peter Kubelka, 1958-1960. 35mm, moviola, Centre Pompidou, Paris.
5/3 Mosaik im Vertrauen, Peter Kubelka, 1954-1955. 35mm, moviola, Centre Pompidou, Paris.
5/3 Ghost rider: spirit of vengeance, Mark Neveldine, Brian Taylor, 2011. DCP, UGC Orient Express, Paris.
7/3 All this and rabbit stew, Tex Avery, 1941. Streaming.
7/3 Hittin’ the trail for hallelujah land, Rudolf Ising, 1931. Streaming.
7/3 Rasslin’ match, George Stallings, 1934. Streaming.
7/3 Jungle jitters, Friz Freleng, 1938. Streaming.
7/3 Congo jazz, Hugh Harman, 1930. Streaming.
7/3 Africa squeaks, Ub Iwerks, 1931. Streaming.
7/3 Limite, Mario Peixoto, 1929. 35mm, Centre Pompidou, Paris.
9/3 Daumë, Ben Russell, 2001. 16mm, INHA (programmation Le Silo), Paris.
9/3 Mosori Monika, Chick Strand, 1970. 16mm, INHA (programmation Le Silo), Paris.
9/3 Correspondence, Robert Fenz, 2011. 16mm, INHA (programmation Le Silo), Paris.
9/3 La taranta, Gianfranco Mingozzi, 1962. DVD, INHA (programmation Le Silo), Paris.
10/3 Journey to the center of the earth, Henry Levin, 1959. 35mm (cinemascope), Cinémathèque Française, Paris.
11/3 Mars attacks!, Tim Burton, 1996. 35mm, Cinémathèque Française, Paris.
12/3 The flicker, Tony Conrad, 1966. 16mm (moviola), Centre Pompidou, Paris.
12/3 Straight and narrow, Tony & Beverly Conrad, 1970. 16mm (moviola), Centre Pompidou, Paris.
12/3 Color sequence, Dwinell Grant, 1943. 16mm (moviola), Centre Pompidou, Paris.
13/3 Zorn’s lemma, Hollis Frampton, 1970. 16mm (moviola), Centre Pompidou, Paris.
13/3 The new architecture at the London zoo, Laszlo Moholy-Nagy, 1936. Beta, Centre Pompidou, Paris.
13/3 Ditty dot comma, Steven Woloshen, 2001. 35mm, Scratch projection, Action Christine, Paris.
13/3 Bru ha ha!, Steven Woloshen, 2002. 35mm, Scratch projection, Action Christine, Paris.
13/3 Cameras take five, Steven Woloshen, 2003. 35mm, Scratch projection, Action Christine, Paris.
13/3 Snip, Steven Woloshen, 2004. 35mm, Scratch projection, Action Christine, Paris.
13/3 The curse of the voodoo child, Steven Woloshen, 2005. 35mm, Scratch projection, Action Christine, Paris.
13/3 Changing Evan, Steven Woloshen, 2006. 35mm, Scratch projection, Action Christine, Paris.
13/3 Editorial, Steven Woloshen, 2009. 35mm, Scratch projection, Action Christine, Paris.
13/3 Playtime, Steven Woloshen, 2009. 35mm, Scratch projection, Action Christine, Paris.
13/3 Fiesta brava, Steven Woloshen, 2001. 35mm, Scratch projection, Action Christine, Paris.
13/3 (27 films de Steven Woloshen en DVD, Scratch projection, Action Christine, Paris)
14/3 Tribulation 99 : Alien Anomalies under America, Craig Baldwin, 1990. 16mm, Centre Pompidou, Paris.
14/3 Rocket Kit Kongo Kit, Craig Baldwin, 1986. Beta, Centre Pompidou, Paris.
15/3 Comment on attrape les maladies contagieuses, Jean Comandon, Marius O’Galop, 1918. Video, expo Comandon/David Drouard, Betonsalon, Paris.
15/3 La tuberculose menace tout le monde, Jean Comandon, Marius O’Galop, 1918. Video, expo Comandon/David Drouard, Betonsalon, Paris.
15/3 On doit le dire, Jean Comandon, Marius O’Galop, 1918. Video, expo Comandon/David Drouard, Betonsalon, Paris.
15/3 Focalises, Marcel Mazé, 1980. 16mm, séance CJC, La clef, Paris.
15/3 La femme qui se poudre, Patrick Bokanowski, 1974. 16mm, séance CJC, La clef, Paris.
15/3 Cinématon (Marcel Mazé), Gérard Courant, 2003. DV, séance CJC, La clef, Paris.
15/3 Solo, Robert Cahen, 1989. DV, séance CJC, La clef, Paris.
15/3 Sensitométrie III, Patrice Kirchhofer, 1975. 16mm, séance CJC, La clef, Paris.
15/3 Dreams and light, Jean-Paul Dupuis, 1979. 16mm, séance CJC, La clef, Paris.
15/3 Le Rituel de Fontainebleau, Stéphane Marti, 2001. DV, séance CJC, La clef, Paris.
16/3 Goodbye 42nd St., Richard Kern, 1983. DCP (or. super-8), Cinémathèque Française, Paris.
16/3 Pierce, Richard Kern, 1986. DCP (or. super-8), Cinémathèque Française, Paris.
16/3 Stray Dogs (The Manhattan Love Suicides), Richard Kern, 1985. DCP (or. super-8), Cinémathèque Française, Paris.
16/3 Thrust in Me (The Manhattan Love Suicides), Richard Kern, 1985. DCP (or. super-8), Cinémathèque Française, Paris.
16/3 Submit to Me, Richard Kern, 1985. DCP (or. super-8), Cinémathèque Française, Paris.
16/3 The King of Sex, Richard Kern, 1987. DCP (or. super-8), Cinémathèque Française, Paris.
16/3 You Killed Me First, Richard Kern, 1985. DCP (or. super-8), Cinémathèque Française, Paris.
16/3 Cutter, Richard Kern, 2003-2011. DCP, Cinémathèque Française, Paris.
16/3 Clean, Richard Kern, 2011. DCP, Cinémathèque Française, Paris.
16/3 The Sewing Circle, Richard Kern, 1992. DCP (or. super-8), Cinémathèque Française, Paris.
16/3 X is Y, Richard Kern, 1990. DCP (or. super-8), Cinémathèque Française, Paris.
16/3 The Evil Cameraman, Richard Kern, 1986-1990. DCP (or. super-8), Cinémathèque Française, Paris.
16/3 Fingered, Richard Kern, 1986. DCP (or. super-8), Cinémathèque Française, Paris.
16/3 The Bitches, Richard Kern, 1992. DCP (or. super-8), Cinémathèque Française, Paris.
16/3 Horoscope, Richard Kern, 1991. DCP (or. super-8), Cinémathèque Française, Paris.
16/3 My Nightmare, Richard Kern, 1993. DCP (or. super-8), Cinémathèque Française, Paris.
16/3 Face to Panty Ratio, Richard Kern, 2011. DCP, Cinémathèque Française, Paris.
17/3 One Cab’s Family, Tex Avery, 1952. 35mm, Cinémathèque Française, Paris.
17/3 Caballero Droopy, Dick Lundy, 1958. 35mm, Cinémathèque Française, Paris.
17/3 Cat’s me -ouch, Chuck Jones, 1964. 35mm, Cinémathèque Française, Paris.
17/3 Lucky Ducky, Tex Avery, 1948. 35mm, Cinémathèque Française, Paris.
17/3 The Hick Chick, Tex Avery, 1946. 35mm, Cinémathèque Française, Paris.
17/3 Hound Hunters, Tex Avery, 1947. 35mm, Cinémathèque Française, Paris.
17/3 Slap Happy Lion, Tex Avery, 1947. 35mm, Cinémathèque Française, Paris.
17/3 Little Rural Riding Hood, Tex Avery, 1949. 35mm, Cinémathèque Française, Paris.
17/3 Swing Shift Cinderella, Tex Avery, 1945. 35mm, Cinémathèque Française, Paris.
17/3 Cellbound, Tex Avery, 1955. 35mm, Cinémathèque Française, Paris.
17/3 Red Hot Riding Hood, Tex Avery, 1943. 35mm, Cinémathèque Française, Paris.
17/3 Magical Maestro, Tex Avery, 1952. 35mm, Cinémathèque Française, Paris.
17/3 The Counter feit Cat, Tex Avery, 1949. 35mm, Cinémathèque Française, Paris.
17/3 The Bride of the Monster, Edward D. Wood Jr., 1955. 35mm, Cinémathèque Française, Paris.
18/3 Hermitage, Carmelo Bene, 1968. Streaming.
19/3 Writing, Tony Morgan, 1994. 16mm (moviola), Centre Pompidou, Paris.
19/3 Lisson corners, Tony Morgan, 1971. 16mm (moviola), Centre Pompidou, Paris.
19/3 Chair move (I & II), Tony Morgan, 1971. 16mm (moviola), Centre Pompidou, Paris.
19/3 Wire piece, Tony Morgan, 196?-197?. 16mm (moviola), Centre Pompidou, Paris.
20/3 Lobsters, Laszlo Moholy-Nagy, 1936. Beta, Centre Pompidou, Paris.
20/3 La ricotta, Pier Paolo Pasolini, 1963. DVD, Inha (séminaire Le tableau vivant ou l’image performée), Paris.
21/3 The new architecture at the London zoo, Laszlo Moholy-Nagy, 1936. Beta, Centre Pompidou, Paris.
21/3 Pêche de nuit, Henri Chopin, 1957. File video, Centre Pompidou, Paris.
21/3 L’energie du sommeil, Henri Chopin; Gianni Bertini, 1966. File video, Centre Pompidou, Paris.
22/3 Adebar, Peter Kubelka, 1956-1957. 35mm, moviola, Centre Pompidou, Paris.
22/3 Schwechater, Peter Kubelka, 1957-1958. 35mm, moviola, Centre Pompidou, Paris.
22/3 Who’s crazy? David, Charlie and Ornette, Dick Fontaine, 1966. Video, Centre Pompidou (Cinéma du Réel), Paris.
22/3 Sound??, Dick Fontaine, 1967. Video, Centre Pompidou (Cinéma du Réel), Paris.
22/3 48, Susana de Sousa Dias, 2009. Video, Centre Pompidou (Cinéma du Réel), Paris.
23/3 Natureza Morta – Visages d’une dictature, Susana de Sousa Dias, 2005. Video, Centre Pompidou (Cinéma du Réel), Paris.
24/3 Matti da slegare, Marco Bellocchio; Silvano Agosti; Stefano Rulli; Sandro Petraglia, 1975. 35mm, Centre Pompidou (Cinéma du Réel), Paris.
24/3 Isadora Duncan dansant dans un jardin, Anonymous, ca. 1920. Video, Centre Pompidou (Expo Danser sa vie), Paris.
24/3 Mary Wigman dans “Hexentanz”, Anonymous, s. d. Video, Centre Pompidou (Expo Danser sa vie), Paris.
24/3 Danse serpentine (II), Anonymous (prod. Lumière), 1897-1899. Beta Num., Centre Pompidou (Expo Danser sa vie), Paris.
24/3 Fusion, Ed Emshwiller; Alwin Nicolais, 1967. Video, Centre Pompidou (Expo Danser sa vie), Paris.
24/3 Two years at sea, Ben Rivers, 2011. 16mm, Centre Pompidou (Cinéma du Réel), Paris.
25/3 Rip in Pieces America, Dominic Gagnon, 2009. Video, Kinemax (Filmforum), Gorizia.
25/3 Pieces and Love All to Hell, Dominic Gagnon, 2011. Video, Kinemax (Filmforum), Gorizia.
26/3 Die Filmprimadonna, Urban Gad, 1913. DVD (Netherlands Filmmuseum), Erica Carter workshop Filmforum, Gorizia.
26/3 Production stills, Morgan Fisher, 1970. 16mm, Kinemax (Filmforum), Gorizia.
26/3 Picture and sound rushes, Morgan Fisher, 1973. 16mm, Kinemax (Filmforum), Gorizia.
26/3 The Wilkinson household fire alarm, Morgan Fisher, 1973. 16mm, Kinemax (Filmforum), Gorizia.
26/3 Projection instructions, Morgan Fisher, 1976. 16mm, Kinemax (Filmforum), Gorizia.
26/3 Protective coloration, Morgan Fisher, 1979. Video, Kinemax (Filmforum), Gorizia.
26/3 Cue rolls, Morgan Fisher, 1974. 16mm, Kinemax (Filmforum), Gorizia.
26/3 Standard gauge, Morgan Fisher, 1984. 16mm, Kinemax (Filmforum), Gorizia.
26/3 ( ), Morgan Fisher, 2003. 16mm, Kinemax (Filmforum), Gorizia.
26/3 Give piece of ass a chance, Bruce LaBruce, 2007. Video, Kinemax (Filmforum), Gorizia.
27/3 Documentary footage, Morgan Fisher, 1968. 16mm, Fondazione Carisgo – Morgan Fisher lecture (Filmforum), Gorizia.
27/3 Vita nova, Vincent Messen, 2009. Video, Kinemax (Filmforum), Gorizia.
27/3 Spectres, Sven Augustijnen, 2011. DCP, Kinemax (Filmforum), Gorizia.
28/3 La neuropatologia – edizione critica e altri filmati neuropatologici, Camillo Negro; Roberto Omegna (1906-1908). 35mm(rest. Immagine Ritrovata 2011), Kinemax (Filmforum), Gorizia.
28/3 Film medici, Vincenzo Neri, 1908-1928. 35mm (rest. La camera ottica/Hage Film), Kinemax (Filmforum), Gorizia.
28/3 Black and white trypps number one, Ben Russell, 2005. 16mm, Kinemax (Filmforum), Gorizia.
28/3 Black and white trypps number two, Ben Russell, 2006. 16mm, Kinemax (Filmforum), Gorizia.
28/3 Black and white trypps number three, Ben Russell, 2006. 35mm, Kinemax (Filmforum), Gorizia.
28/3 Black and white trypps number four, Ben Russell, 2006. 16mm, Kinemax (Filmforum), Gorizia.
28/3 Trypps #5 (Dubai), Ben Russell, 2008. 16mm, Kinemax (Filmforum), Gorizia.
28/3 Trypps #6 (Malobi), Ben Russell, 2009. 16mm, Kinemax (Filmforum), Gorizia.
28/3 Trypps #7 (Badlands), Ben Russell, 2010. Video, Kinemax (Filmforum), Gorizia.
28/3 River rites, Ben Russell, 2011. Video, Kinemax (Filmforum), Gorizia.
31/3 Documentary footage, Morgan Fisher, 1968. 16mm, O’ (Atelier Impopularie #2), Milano.
31/3 Production stills, Morgan Fisher, 1970. 16mm, O’ (Atelier Impopularie #2), Milano.
31/3 Picture and sound rushes, Morgan Fisher, 1973. 16mm, O’ (Atelier Impopularie #2), Milano.
31/3 The Wilkinson household fire alarm, Morgan Fisher, 1973. 16mm, O’ (Atelier Impopularie #2), Milano.
31/3 Projection instructions, Morgan Fisher, 1976. 16mm, O’ (Atelier Impopularie #2), Milano.
31/3 Standard gauge, Morgan Fisher, 1984. 16mm, O’ (Atelier Impopularie #2), Milano.
31/3 ( ), Morgan Fisher, 2003. 16mm, O’ (Atelier Impopularie #2), Milano.

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