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Gambar J. Michael Muro
“Probably the biggest value we got with the digital intermediate was the ability to selectively frame the film here and there, and shoot Super 35 with confidence that a digital extraction would turn out better than an optical blowup, letting us recompose shots during color-timing if necessary. I really feel the digital intermediate process has eliminated the reason many filmmakers have for… Baca lanjut
“Probably the biggest value we got with the digital intermediate was the ability to selectively frame the film here and there, and shoot Super 35 with confidence that a digital extraction would turn out better than an optical blowup, letting us recompose shots during color-timing if necessary. I really feel the digital intermediate process has eliminated the reason many filmmakers have for staying away from Super 35 - the complexities of the optical blowup. More people are shooting Super 35 now than ever before because this process renders that problem moot.” Baca kurang
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