Mary Henry mysteriously survives a car wreck. In an effort to put this traumatizing incident behind her, Mary moves to Utah to take a job as a church organist. However, her fresh new start is interrupted by the haunting, relentless presence of a strange man who seems to follow where ever she goes.
An influence on David Lynch, George A. Romero, and Lucrecia Martel (!) this lone feature film from Herk Harvey is a bona fide cult classic of both independent filmmaking and psychological horror. An atmospheric and unsettling, haunting ghost story, innovatively shot—on a shoestring budget.
It’s nominally a horror film, but it’s a story of mental derangement with a premise of metaphysical shock that’s more or less detachable from its richly textured and disturbingly inventive cinematic essence.