Von Trier's elegantly angry Dogville, despite its predilection for audience-goosing, is an exhilarating pilgrimage into Darkest Human Nature: as emotionally exacting as we've come to expect from the director, and as primally insinuating as well. As a technical exercise, it's unimpeachable; each camera set-up, each metaphysical visual layer, each situational theater gambit validates the artform.
Michael Koresky
October 3, 2003