In a plot that needed a transfusion somewhere mid-stream, a vampire-mobile is the car of the hour for Madam Ferat, who uses its fanged gas pedal to draw blood from the foot of the driver as he, or she, accelerates — for the car “runs” on blood.
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3,5 Of all available biofuel options, man has unjustly ruled out his own vital fluids, esp. the one that sealed empowering Satanic contracts through the ages – blood. In this regard Ferat Vampire, w/ its misleading tone of nothing-happening Czech deference, adds Cronenberg technophilia to Renaissance pneumatology, for it assumes the presence, in blood-injected mechanisms, of a 'spiritus'- the instrument by which soul
Sur le thème du vampirisme, une diatribe originale sur l'emprise de la technologie dans le comportement social. Omniprésence de la voiture comme symbole et nécessite absolue. Un clin d'œil acerbe sur notre civilisation. Excellent ! www.cinefiches.com
In a way, cars have been running on blood since the beginning, but it has never diminished their attraction, on the contrary. Vampires and cars have two things in common: sexual sublimation and the intoxicating feeling of danger. Of course, most of the time vampires are just dull hibernating creatures and cars are polluting cages in a traffic jam. Nevertheless, when they are exciting, they really are to die for.