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Il conformista

Bernardo Bertolucci Itali, 1970

Duncan Gray's rating of the film The Conformist

In which Bertolucci psychoanalyzes Fascism as cultural self-repression, a reaction of disgust to the joys/horrors of a libertine sexual world. That the film does so with nonstop sensual style is not strictly an act of judgement or a pose of moral "immorality". Rather, it suggests that you couldn't snuff out sensuality even if it were a good idea. Tie that to a political thriller, and you've got a complex masterpiece.