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Critics reviews

ED WOOD

Tim Burton United States, 1994
There's that troubled man on screen, again looking at pretty things in the window, but here he's pretty Johnny Depp in an extraordinary, disarmingly loving tribute made by a director at the top of his game (Burton, not Wood, though I'll continue to throw down for Glen or Glenda as Wood's masterstroke). Among many of the picture's excellent, funny and intriguing re-creations of Wood's direction, Ed Wood shows the auteur crafting that mannequin scene I described earlier.
May 21, 2017
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Tim Burton's best film... is a rare beast, a film whose poignancy is a result of its sheer good will. A film that risked condescension toward its subject, Ed Wood instead became an unexpectedly fine tribute to creation and ingenuity and the kind of passionate carelessness that does not denote polish or class but nevertheless conveys love of the craft.
October 28, 2013
Burton, an imaginatively unhinged visual prankster who occasionally moonlights as a major director, never before or ever again exhibited the astonishing range of talent he displayed in Ed Wood. The film is an example of that most rewarding sort of artistic mastery: It feels effortless, and there's no deadening sense of "craft" that often kills Oscar winners.
September 27, 2012
One of the undeniable pleasures of Ed Wood is its treatment of three features — Glen or Glenda?, Bride of the Monster, and Plan 9 — as holy writ to be lovingly interpreted, imagining how certain scenes were actually shot or, in the wonderful opening sequence, offering a passionate pastiche in Wood's style.
October 21, 1994