Interplay between documentary and fiction is hardly new as a concept, but there is still exciting ground to be covered within that intersection. A case in point is Joshua and Ben Safdie's Heaven Knows What, a brilliant piece of psychodrama that – through its re-enactment of scenes from the lives of New York drug addicts, playing themselves – functions as both pseudo-vérité and, well, vérité.
David Heslin
December 16, 2015