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4.1
4 141 Vurderinger

Lykken

Le bonheur

Regissert av Agnès Varda
Frankrike, 1965
Drama, Romantikk

Synopsis

Selv om han er gift med den gode, vakre Thérèse (Claire Drouot), blir den unge mannen og faren, François (Jean-Claude Drouot), mer og mer interessert i en attraktiv postdame.

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Lykken Regissert av Agnès Varda

Tildelinger & Festivaler

Berlin International Film Festival

1965 | 2 seirer inkludert: {award_and_section}

1990

Prix Louis Delluc

1964 | Vinner: Prix Louis Delluc

Viennale

2006

2011

The first thing about “Le Bonheur” is its riot of color… a painterly mix that is more reminiscent of the cosmic intimacy of Bonnard’s paintings than of the Impressionist works that Varda references throughout the film. And for Varda, the charms of Impressionism are raw material that she subjects to analysis and criticism—it’s a film in which emotional life and sensual delight are seen through the prism of sociology, psychology, and philosophical reflection.
June 09, 2010
Les hele artikkelen
More than Le bonheur’s feminist politics and the fact that they were slightly ahead of their time, it is on the level of form that the film is so unsettling and calls up so many contradictory interpretations. One need only look at the opening and closing scenes to understand the complexity of Varda’s strategy.
January 21, 2008
Les hele artikkelen
A beautiful and disturbing 1965 feature by Agnes Varda about family happiness, full of lingering and creepy ambiguities… Provocative and lovely to look at, this is one of Varda’s best and most interesting features (along with Cleo From 5 to 7 and Vagabond).
December 01, 1990
Les hele artikkelen

Hva sier folk?

  • Stefan Drees's rating of the film Lykken

    I watched this film for the second time and must say that it's a perfect example for Agnès Varda's mastery. Her work with the camera (especially the photographic character of some sequences), the use of colours and the comments through lettering and words found in the urban space are exceptional.

  • sister chromatid's rating of the film Lykken

    I've been thinking about this one for days since I watched it. The more I mull it over, the more I'm in awe of how smart Varda is. The messages weaved throughout the frames of this film were placed so thoughtfully and so cleverly, which is something to be admired as satire is sometimes difficult to execute without being either hokey or overly obscure. Absolutely chilling film.

  • El Biffo's rating of the film Lykken

    Delicate and beautiful. I love Agnes Varda. The use of color, especially in the clothes, freshly painted doorways, and other objects, seems very much the influence of Jaques Demy (unless it was Varda who influenced him). Especially when Francois is painting the toy garage, this seems to be an obvious reference to Umbrellas of Cherbourg. 4.4 stars.

  • dionysus67's rating of the film Lykken

    A paradisiac deconstruction of the nuclear family. Rarely has cinema conjured such leisureless and aesthetically impeccable identification of form and content: The happiness we feel as viewers aligns with the happiness felt by the handsome protagonists. The exuberant vitalism of the immediate feelings told in a tableaux aeshetic does not hide the gendered division of roles from the beginning of Time. Masterpiece!

  • Michael H. CLAES's rating of the film Lykken

    Un chef d'oeuvre dans l'esprit de Maupassant. La fable cruelle du menuisier, de la couturière et de la postière. Un clou chasse l'autre dit-on en menuiserie. Ou une histoire de lettre qui ne manque pas de piquant. Ni de tranchant. ===== The cruel tale of the carpenter, the seamstress and the postmistress. A story of letter that does not lack sharpness. Or cutting edge. A masterpiece.

  • msmichel's rating of the film Lykken

    Extraordinary film from Agnes Varda. The brilliant editing and use of primary colour in its rich camera work are fascinating. The dark side of happiness lurks underneath the surface story where despite a man's contentment with his love and family life he still has an affair stating he has 'enough joy' for both women. Performances are excellent with Jean-Claude Drouot's real family playing his wife and kids.

  • ASHES IN THE HOURGLASS's rating of the film Lykken

    Much like taking care of flowers, love requires patience. You must allow to it sprout at it's own pace, as too much water will lead to a horrible end. Similarly, to much love inevitably sparks jealousy. Varda's masterpiece is a strange blend of a naturalistic direction and a idyllic portrayal of love that seems so good it's borderline fake. Deep down, as much as we wish for it not to, we know something's gonna pop.

  • Zachary George Najarian-Najafi's rating of the film Lykken

    I don't think I've ever quite seen a film like this one. Varda approaches the material with a unique style that's at once ironic but without being satirical, or is it? It's difficult to describe in words, but I applaud her for taking the risks she did. The colors and compositions are beautiful. Especially when Francois and Emilie are in bed, their bodies look like some form of modern art. A wonderful gem of a film.

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