I've just watched "O is for Orgasm". It is «the story of an object», like Bataille's "Story of the Eye". Cattet & Forzani are deeply obsessed with scopophilia. I don't know if they appreciate Bataille, but their films seem to be deeply inspired by him. Everything in their films is on the surface; there is no hierarchy: "O is for orgasm" is a case of «signification without a thing signified» (Barthes).