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2 428 Vurderinger


Regissert av Pier Paolo Pasolini
Italia, 1968


An upstanding Italian household is shaken and stirred when a handsome stranger arrives at the doorstep. He seduces every family member and then disappears. Each has an epiphany of sorts, but no one knows who the mysterious man was or why he appeared.

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Teorema Regissert av Pier Paolo Pasolini

Tildelinger & Festivaler

Venice Film Festival

1968 | 2 seirer inkludert: {award_and_section}

Italian National Syndicate of Film Journalists

1969 | 3 nominasjoner inkludert: Best Supporting Actress

Anmeldelser fra kritikere

The significance of the changes displayed by the family members are shown in amusing, sometimes brutal detail, but never judged. It’s like a cinematic explosion, where the shards of rubble are just left to smoulder in the middle distance. Take the film as an inscrutable objet d’art which any theory you care to throw at it will probably stick, and you’re left with a film which is as eccentrically entertaining as it is entirely baffling.
April 12, 2013
Les hele artikkelen
Apart from his scandalous Salò, or the 120 days of Sodom, 1975 – another film with spiritually induced levitation -– this shocking 1968 feature, Pier Paolo Pasolini’s last film with a contemporary setting, may be his most controversial work, displaying the kind of audacity and excesses that send some audiences into gales of defensive, self-protective laughter.
January 01, 2000
Les hele artikkelen

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