Following the intertwining lives of six young gay and lesbian characters through a Godardian structure of fifteen separately titled sections, Araki creates a vivid portrait of everyday teenage pressures compounded by a host of extraordinary burdens.
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at first i was confused by the division of the film but as it passed it seemed that in its exaggeration which becomes kinda humourous and trashyness, you, sort of, start to grow to like the characters and the stories even with the vagueness attached to it
i feel like this one really grounds the trilogy. 'doom generation' on it's own probably would have been too abrasive for me if i didn't have this for a foundation, for context. and i will never get over his eye for shot composition. always beautiful, at least in the 90's.