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8 dager å se
Adaptations
3.9
552 Vurderinger

Time Regained

Le temps retrouvé, d'après l'oeuvre de Marcel Proust

Regissert av Raúl Ruiz
Frankrike, Portugal, 1999
Drama, Krig, Romantikk
  • Fransk
  • Engelsk
Adaptations

Synopsis

Marcel Proust (1871-1922) er på dødsleiet. Han ser på fotografier som bringer tilbake minner om hans ungdom, elskere, og måten første verdenskrig satte en stopper for et samfunnslag. Hans minner er ikke i en spesifikk rekkefølge, de beveger seg fram og tilbake i tiden.

Vår mening

Hvem kunne adaptert Marcel Proust? Med en sjelden inspirert adaptasjon av hans verk som er så vanskelig å overføre fra papiret til skjermen, er Raúl Ruiz klar for oppgaven! En stjernespekket film med Catherine Deneuve, Emmanuelle Béart, og John Malkovich.

Time Regained Regissert av Raúl Ruiz Se nå
Se nå 8 dager gjenstående
Proust is a writer whose work defeated such distinguished adapters as Joseph Losey and Luchino Visconti; Ruiz succeeds because his movie is something of a search for Proust’s own search. . . . All about remembering (cinema not least), this luxurious bath in the river of time is, to lift a phrase from Proust, consecrated to "the miracle of an analogy.
February 08, 2018
Les hele artikkelen
One of Ruiz’s best-known films stands as one of the finest literary adaptations of the past 25 years. Time Regained — a majestic yet spirited page-to-screen transfer of the last volume (published in 1927) of Proust’s magnum opus In Search of Lost Time — honors the source material by immediately plunging spectators into a series of time-bending vignettes linked by the vagaries of memory.
December 14, 2016
Les hele artikkelen
One of the most intelligent and substantial films of our day. . . . There is no attempt to follow the order in which these lines appeared in the novel: some snatches of speech may be combined from hundreds of pages apart, but the dialogue is either taken directly from Proust, or paraphrased from the text. In its own way, the film is remarkably faithful to its source material. But it is also faithful to Ruiz’s schema that . . . successive scenes need not connect into one dramatic "flow.
July 01, 2000
Les hele artikkelen

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